心太狂

本片是一部以大學(xué)生宮田陽彩（南沙良 飾）為主角的“青春逃亡故事”。陽彩一邊上學(xué)，一邊從早到晚忙于打工和家務(wù)。雖然母親并未對(duì)她施加暴力，但她一直被母親口中的“愛”束縛著，在這種溫柔卻令人窒息的絕望和對(duì)人生的失落感中度日。她定期給母親送錢，照顧她，卻始終感受不到真正的自由和幸福。某天，陽彩在打工的地方邂逅了同班同學(xué)江永雅（馬場富美加 飾）。這次相遇，悄然改變了陽彩的人生軌跡。

　　闖蕩好萊塢失敗的演員里根·皮爾斯為工作在去往路易斯安那州的一個(gè)小鎮(zhèn)什里夫波特路上，被歹徒綁架至一個(gè)沼澤地附近的小屋，歹徒折磨并威脅他用推特賬戶發(fā)布并上傳妥協(xié)博文，他改如何逃脫困境？

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.