昭和裸性門

評分:7.9 播放:51萬 更新:2026-05-05

大正時代,侯爵桂川實(shí)篤(長弘 飾)在金融界聲名顯赫,備受敬仰。雖則如此風(fēng)光,只嘆膝下無子。不顧妻子綾子(絵沢萠子 飾)的反對,實(shí)篤強(qiáng)行納保鏢藤堂貞之助(江角英明 飾)的戀人戶田忍(梢ひとみ 飾)為妾。此后不久,阿忍產(chǎn)下一對龍鳳胎。實(shí)篤將男孩留下,取名浩義,女孩則由親生母親帶走,從此杳無音訊。 19年后,藤堂接到來自阿忍的書信,匆匆趕去時發(fā)現(xiàn)當(dāng)年的戀人已經(jīng)奄奄一息。他接受了阿忍的囑托,擔(dān)負(fù)起照顧她女兒鏡子(梢ひとみ 飾)的重任。鏡子如母親一般美麗,但她反而想墮入妓寨。藤堂實(shí)在無法阻攔,鏡子的人生與情感悲劇由此注定 hellip; hellip;   

劇情簡介

大正時代,侯爵桂川實(shí)篤(長弘 飾)在金融界聲名顯赫,備受敬仰。雖則如此風(fēng)光,只嘆膝下無子。不顧妻子綾子(絵沢萠子 飾)的反對,實(shí)篤強(qiáng)行納保鏢藤堂貞之助(江角英明 飾)的戀人戶田忍(梢ひとみ 飾)為妾。此后不久,阿忍產(chǎn)下一對龍鳳胎。實(shí)篤將男孩留下,取名浩義,女孩則由親生母親帶走,從此杳無音訊。 19年后,藤堂接到來自阿忍的書信,匆匆趕去時發(fā)現(xiàn)當(dāng)年的戀人已經(jīng)奄奄一息。他接受了阿忍的囑托,擔(dān)負(fù)起照顧她女兒鏡子(梢ひとみ 飾)的重任。鏡子如母親一般美麗,但她反而想墮入妓寨。藤堂實(shí)在無法阻攔,鏡子的人生與情感悲劇由此注定 hellip; hellip;   

為你推薦

全面營救

魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin

  The film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 Arena on August 19, marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August

榮耀嘻哈

莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠

A deaf single dad's life with his daughter changes when she becomes a hip-hop star. Meanwhile, another father faces ongoing challenges communicating with his deaf son.

別告訴媽媽保姆死了

朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚(yáng),Lizet Upia,Hannah Wimbrey,Dominique Toney

講述了17歲的女孩塔尼婭的故事。她計劃在秋季入學(xué)前與朋友一起去歐洲度假。但是,她的媽媽決定去泰國參加一個健康療養(yǎng)活動,因此塔尼婭不得不留在家里照顧她的兄弟姐妹。正如標(biāo)題所示,當(dāng)他們年邁的保姆意外去世時,塔尼婭找到了一份為一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和復(fù)雜的愛情關(guān)系時,塔尼婭在失去最后一個自由的夏天的代價中,開始體驗成人生活。

凌晨是神的時間

日南響子,飛鳥凜,藤本七海

  據(jù)日本警方統(tǒng)計,每年僅提交申請的失蹤人口就達(dá)10萬人,其中9萬人的行蹤可疑確認(rèn),但仍有1萬人下落不明。位于遠(yuǎn)郊的一座深山叢林,似乎具有著強(qiáng)烈的魔性,無數(shù)人進(jìn)入這里,從此消失無蹤。少女繭(日南響子 飾)偶然和父親目擊一輛綁架了少女的車,父女倆一路追蹤,走上了不歸之途;家庭主婦真奈(桐島れいか 飾)十年前曾在林中丟失長女,如今他的小女兒阿櫻離家上學(xué)后也一去不返;正在拍攝恐怖電影的新人女演員麗奈(飛鳥凜 飾)結(jié)束工作后,不得不穿越那座恐怖的森林,其中的景象與聲音令她戰(zhàn)栗不已;小女孩薰(藤本七海 飾)受托照顧?quán)徏业暮⒆?,可是她卻遭遇了一個恐怖的人形?! 〔煌娜?,不同的故事,同樣的恐怖……

靈犀

Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn

野心勃勃的小鎮(zhèn)音樂家的表演視頻在網(wǎng)絡(luò)上火了,他想要抓住機(jī)會在樂壇占據(jù)一席之地,可這場追名逐利的游戲也許不是他能夠把握的。

冒牌大賊

黃日華,林憶蓮,左頌升

  死黨阿華,師爺仔及飛牛三人分別任職于會計,律師樓及警員。他們均喜歡包租婆的女兒蒙珠。一日,阿華知道會有巨額運(yùn)抵公司及發(fā)現(xiàn)有賊人已鋪好路線偷款。于是將計就計,他們預(yù)先偷走巨款,然后嫁禍給劫匪。雖然錢得手,但全是廢紙,而煩惱才剛剛開始……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.