惡與假面的規(guī)則 悪と仮面のルール (2018)
某大財(cái)團(tuán)財(cái)閥之子久喜文宏，在11歲那年被父親（村井國(guó)夫 飾）告知，他來(lái)到這個(gè)世上的目標(biāo)就是要被打造成為足以給世人造成巨大災(zāi)難的極致之惡。為了讓兒子完成蛻變，惡毒的父親竟不惜玷污少年的初戀女孩香織。危機(jī)時(shí)刻，少年殺死了父親，逃遁失蹤。十幾年后，長(zhǎng)大了的文宏（玉木宏 飾）改頭換面，以新谷弘一的名字展開(kāi)新的生活。他千方百計(jì)找到香織（新木裕子 飾），從此逡巡在對(duì)方身邊，為了保護(hù)香織不惜再度殺人。未過(guò)多久，知曉弘一過(guò)往人生的同父異母哥哥久喜干彥（仲村達(dá)也 飾）與策劃顛覆日本的恐怖分子伊藤亮祐（吉澤亮 飾）勾結(jié)在一起，他們更將目標(biāo)鎖定在香織身上。弘一不得不與自己的過(guò)去以及黑暗的命運(yùn)做個(gè)了斷……
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帕特里克·威爾森,庫(kù)爾特·拉塞爾,莉莉·西蒙斯,肖恩·楊,扎恩·邁克拉農(nóng),馬修·?？怂?大衛(wèi)·阿奎特,凱瑟琳·莫里斯,希德·黑格,理查德·詹金斯,邁克爾·帕爾,杰米·埃克托,詹姆斯·托根異羽之鳥(niǎo)
賈亞士里,Mahadev Hadapad,Rekha Kudligi命運(yùn)之書(shū)
邁克.梅爾斯,斯賓塞.布萊斯林養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費(fèi)森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬(wàn)諾維奇,伊沃娜·庫(kù)斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇比佛利拜金狗
派珀·佩拉博,馬諾洛·卡多納,杰米·李·柯蒂斯,何塞·馬利亞·亞茲皮克,莫瑞·史特林,杰蘇斯·歐喬阿,德魯·巴里摩爾,安迪·加西亞,喬治·洛佩茲地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達(dá),Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫(kù)馬·林頓,格雷戈里·克同類(lèi)推薦
牙仙歷險(xiǎn)記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴(yán)苛傳統(tǒng)的世界。在一次冒險(xiǎn)中，他遇見(jiàn)了世界上最可愛(ài)的小巨魔，以及擁有科學(xué)天賦、勇敢無(wú)畏的小妖精。三個(gè)小小生物從此展開(kāi)旅程，努力聯(lián)合各自的王國(guó)，同時(shí)躲避心懷不軌、蠢蠢欲動(dòng)的蜘蛛威脅。
全面開(kāi)戰(zhàn)：兄弟會(huì)
納魯納·科斯塔,Camilla Dami?o,大衛(wèi)·桑托斯,艾爾茲奧·維埃拉,Enio Cavalcante,艾米拉·蓋德斯,Lee Taylor,馬西莉亞·卡爾塔舒,塞烏·喬奇,史蒂法尼·莫塔,Samurai Cria在恐懼狀態(tài)下，兄弟會(huì)成員面臨著一個(gè)關(guān)鍵時(shí)刻，他們的主要領(lǐng)導(dǎo)人被轉(zhuǎn)移到最高安全級(jí)別的監(jiān)獄，威脅著該組織的穩(wěn)定。Elisa（Camilla Dami?o飾）是兄弟會(huì)創(chuàng)始人Edson（Seu Jorge飾）的18歲女兒，在犯罪邊緣長(zhǎng)大，被腐敗的警察綁架。當(dāng)她的阿姨克里斯蒂娜（納魯娜·科斯塔飾）試圖營(yíng)救她時(shí)，該團(tuán)伙下令進(jìn)入“恐懼狀態(tài)”，對(duì)警察局和安全部隊(duì)發(fā)動(dòng)一波暴力襲擊，使圣保羅市陷入混亂。在動(dòng)蕩之中，Elisa和Cristina努力應(yīng)對(duì)正義和暴力的困境，因?yàn)檫^(guò)去和現(xiàn)在的選擇相互碰撞，塑造了他們的命運(yùn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
童煞驚魂島
丹尼爾·希梅內(nèi)斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖在一個(gè)舒適的季節(jié)，弗朗西斯科（艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾）和懷有身孕的妻子貝絲（凡妮莎·肖 Vinessa Shaw 飾）來(lái)到墨西哥某個(gè)海濱小鎮(zhèn)度假。適值狂歡節(jié)期間，小鎮(zhèn)四周歌舞升平，紙醉金迷，多少青年男女流連忘返。弗朗西斯科渴望尋覓一個(gè)安寧的所在，他找到當(dāng)?shù)氐臐O夫，從對(duì)方手中租下一艘船，打算在附近某個(gè)僻靜的小島安然度過(guò)五六天。次日，他和妻子抵達(dá)目的地。那里寂靜無(wú)聲，幾乎看不到一個(gè)人影。島上的孩子們偶爾逡巡四周，但無(wú)一例外臉上都掛著猙獰冷漠的表情?！ ∥催^(guò)多久，令他們毛骨悚然的事情接連發(fā)生。島上的孩子手執(zhí)兇器獵殺成人，期間更發(fā)出令人不寒而栗的笑聲。孩童的殺戮仍在繼續(xù)，弗朗西斯科夫婦能否逃離……
小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛(ài)情片[小意大利](Little Italy，暫譯)的國(guó)際銷(xiāo)售權(quán)。該片由唐納德·佩特瑞([倒霉愛(ài)神])執(zhí)導(dǎo)，故事類(lèi)似現(xiàn)代版羅密歐與朱麗葉，講述一名見(jiàn)習(xí)廚師同一位餐廳老板墜入愛(ài)河。他們父親是商業(yè)死對(duì)頭，母親卻是秘密的閨中好友。