劇情簡(jiǎn)介
當(dāng)今各種交友軟體推陳出新,約炮文化盛行,人人都只想要談場(chǎng)速食愛情。生于千禧世代的馬汀和蓋比因?yàn)榻挥衍涹w而相識(shí),隨即陷入如膠似漆的熱戀期,感情卻隨著時(shí)間過去越趨平淡,兩人都迫切渴望擁有新的刺激。身處在這個(gè)充斥;開放式關(guān)系 的花花世界里,這對(duì)情侶究竟能否維持;穩(wěn)定交往中 ;的感情狀態(tài),還是會(huì)徹底迷失在選擇泛濫的社群網(wǎng)路之中
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster