花與蛇:零
團(tuán)鬼六的肉欲小說(shuō)人氣系列的最新作「花と蛇 ZERO」終于被電影化了,本作的導(dǎo)演是在「探偵はBARにいる」(泡吧偵探)系列中出名的橋本一先生。本作是由東映映像提供,杉本彩主演。這次系列第四部的企劃概念是原點(diǎn)回歸。所有的演員都是通過(guò)遴選,選出在過(guò)激的SM場(chǎng)面時(shí)能展現(xiàn)出精湛演技的女演員。今為止的「花と蛇」系列,故事都是圍繞著主人公靜子展開(kāi)的。而本作啟用了三位女主演,描繪出三人三種不同的肉欲世界。在遴選中獲勝的是天乃舞衣子、浜田范子、桜木梨奈這3人。捆綁指導(dǎo),三人同時(shí)緊縛吊打,同性戀SM,極限的色情描寫(xiě)就是本作最大的看點(diǎn)。 天乃扮演的是,在追蹤謎樣的違法映像網(wǎng)站「バビロン」(巴比倫)主謀者的過(guò)程中,陷入指導(dǎo)陷阱中的警視廳生活安全部門(mén)特搜隊(duì)的警部候補(bǔ)雨宮美咲。本作是她首脫,也勇敢的挑戰(zhàn)過(guò)激畫(huà)面,開(kāi)拓了新的境地。當(dāng)問(wèn)到說(shuō)拍攝時(shí)候有惹怒橋本導(dǎo)演的時(shí)候,「訓(xùn)了我以后他還是會(huì)開(kāi)著玩笑,拍攝時(shí)也不會(huì)將不快帶入,在最好的環(huán)境中拍攝,我覺(jué)得這真的是非常好的經(jīng)驗(yàn)」她如此回答。過(guò)去由橋幸夫是編制的「セイントフォー」中的成員浜田,作為花與蛇系列的重要演員扮演了靜子。她在「巴比倫」被監(jiān)禁、指導(dǎo),并且畫(huà)面被上傳到網(wǎng)絡(luò)上。她說(shuō)這是緊縛這種設(shè)定最初的經(jīng)驗(yàn),「利用疼痛,讓她們流出并非演技的眼淚。但是,這個(gè)計(jì)劃不得不被取消之后,導(dǎo)演的編導(dǎo)過(guò)程每天都受到?jīng)_擊」。由櫻木飾演的是靜子粉絲,欲望無(wú)法被滿足的主婦琉璃,留下了這樣的記錄「我完全信任橋本導(dǎo)演和工作人員,將心和身體都放開(kāi),非常愉快的拍攝」。
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David Chokachi,Amulya Ananth,Vanessa Zanardi夜逃屋本鋪2
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀(jì),種崎敦美,悠木碧,內(nèi)田雄馬,內(nèi)山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽(yáng)彩,杉田智和他,天生就跑得快。此外沒(méi)有優(yōu)于他人的地方了,但也覺(jué)得只要跑得快就足夠了。得以立足于學(xué)校、成為交友的橋梁。這便是,這位少年的一切。而與他相遇的,是為了忘掉痛苦而跑步的少年。他跑得并不快,卻有熱情。被他的熱情所感染,隨后感受到了興奮???、這卻是“異?!钡拈_(kāi)端?!?00米”,讓一切都變得瘋狂。
養(yǎng)鬼吃人8:地獄世界
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