下流與智慧

評(píng)分：9.7 播放：31萬(wàn) 更新：2026-05-03

別名：Filth and Wisdom 對(duì)于大銀幕，麥當(dāng)娜并不陌生，她曾主演由艾倫;帕克執(zhí)導(dǎo)的音樂(lè)傳記片《貝隆夫人》，叫好又叫座。與導(dǎo)演丈夫蓋t;里奇結(jié)婚后，2002年麥姐曾主演里奇執(zhí)導(dǎo)的《踩過(guò)界》，不過(guò)該片招致一片罵聲，票房也遭遇;滑鐵盧;。盡管如此，在丈夫的影響下，麥姐對(duì)電影的熱情日益高漲。前年5月，麥姐宣布將首當(dāng)導(dǎo)演，執(zhí)導(dǎo)一部名為《下流與智慧》的喜劇片，由理查德 E.格蘭特、尤金 ;赫茨主演，后者是烏克蘭吉卜賽朋克樂(lè)隊(duì)Gogol Bordello的主唱，麥當(dāng)娜一直自稱(chēng)是這支樂(lè)隊(duì)的;忠實(shí)歌迷;。樂(lè)隊(duì)的其他幾位成員也均在片中露臉，并為這部電影創(chuàng)作了三首插曲。對(duì)于該片的劇情，麥姐一直堅(jiān)持保持神秘感，目前只知道片中的主要角色包括一名后來(lái)轉(zhuǎn)跳鋼管舞的前芭蕾舞演員、一名猶太人企業(yè)家以及一名印度-劑師。 　　

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影片翻拍自阿根廷電影《膝下無(wú)子》，講述了高中時(shí)期遇見(jiàn)初戀的男人無(wú)意間將家庭史變成秘密而展開(kāi)的一系列風(fēng)波浪漫喜劇故事。

孩子們安好

卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀(jì)堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani

多年以后，蘇珊和她的兩個(gè)孩子意外地出現(xiàn)在她姐姐珍妮的家中。起初看起來(lái)像是蘇珊在試探性地試圖重新與姐姐建立關(guān)系。但隨著晨光的出現(xiàn)，這種幻覺(jué)破滅了：蘇珊消失了……內(nèi)森·安布羅西奧尼的這部親密電影，描繪了一位被迫成為母親的女人，而她對(duì)自己的孩子幾乎一無(wú)所知。他那極簡(jiǎn)主義的敘事方式，卻充滿(mǎn)了深刻的共情，讓觀眾得以觀察這個(gè)新生家庭逐漸凝聚的緩慢過(guò)程，以及他們內(nèi)心的恐懼與猶豫，還有那毫無(wú)效率的國(guó)家機(jī)器的荒謬之處。這是一部法國(guó)電影，它反映了因必要性而產(chǎn)生的共同生活本質(zhì)的脆弱性，以及當(dāng)它源于愛(ài)時(shí)，它會(huì)變得多么強(qiáng)大。

那個(gè)人在想什么事情

John Price,Preben Neergaard,Lotte Tarp

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

馬拉加街夕陽(yáng)紅

卡門(mén)·毛拉,瑪爾塔·埃圖拉,艾哈邁德·布拉內(nèi),瑪利亞·阿爾方薩·羅索,米格爾·加爾塞斯,拉·伊門(mén)

79歲的西班牙女子瑪麗亞·安赫萊斯獨(dú)自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當(dāng)她女兒從馬德里趕來(lái)，想要賣(mài)掉她一直居住的公寓時(shí)，她的生活徹底被打亂了。決心留下來(lái)的她，竭盡所能想要奪回自己的家與財(cái)物，卻意外重拾了愛(ài)情與感官的愉悅。