原罪故事

★ 0.8 播放：44萬(wàn) 更新：2026-05-04

正處在青春期的少女夏娃（Grazyna Dlugolecka 飾）是一個(gè)善良、美麗、單純的姑娘，受家庭的影響，她的世界一塵不染，未受侵襲。不過魯卡茨;尼泊洛姆斯基（Jerzy Zelnik 飾）的到來卻打破了這一切。魯卡茨是租住夏娃家房子的留學(xué)生，雖已結(jié)婚，婚后生活卻并不幸福，當(dāng)?shù)氐淖诮田L(fēng)俗也禁止離婚。夏娃很快和魯卡茨陷入熱烈之中。 魯卡茨前往羅馬，希望在那里贏回自由之身。與此同時(shí)，夏娃也發(fā)現(xiàn)自己懷有身孕。墮胎后的夏娃追尋愛人的腳步走遍意大利、法國(guó)、德國(guó)和波蘭，卻發(fā)現(xiàn) 本片根據(jù)俄國(guó)著名作家斯達(dá)芬 bull;柴洛姆斯基的同名小說改編而成 　　

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劇情簡(jiǎn)介

正處在青春期的少女夏娃（Grazyna Dlugolecka 飾）是一個(gè)善良、美麗、單純的姑娘，受家庭的影響，她的世界一塵不染，未受侵襲。不過魯卡茨;尼泊洛姆斯基（Jerzy Zelnik 飾）的到來卻打破了這一切。魯卡茨是租住夏娃家房子的留學(xué)生，雖已結(jié)婚，婚后生活卻并不幸福，當(dāng)?shù)氐淖诮田L(fēng)俗也禁止離婚。夏娃很快和魯卡茨陷入熱烈之中。 魯卡茨前往羅馬，希望在那里贏回自由之身。與此同時(shí)，夏娃也發(fā)現(xiàn)自己懷有身孕。墮胎后的夏娃追尋愛人的腳步走遍意大利、法國(guó)、德國(guó)和波蘭，卻發(fā)現(xiàn) 本片根據(jù)俄國(guó)著名作家斯達(dá)芬 bull;柴洛姆斯基的同名小說改編而成 　　

導(dǎo)演精選

喜馬拉亞星

　　在喜瑪拉雅山長(zhǎng)大的亞星（鄭中基）練有一身瑜伽好功夫，某日奉父母之命下山參加印度西施家族舉辦的瑜伽選夫比賽的途中，被恨嫁的大家姐（應(yīng)采兒）纏住。為了阻止亞星參加比賽，大家姐想出把他變成人見人厭的壞小子的狠招，不想聯(lián)合三大惡人也沒能將亞星改變，不甘心之下，大家姐又找來以壞混世的大膽叔叔（吳鎮(zhèn)宇）?！　】上Т竽懯迨迮c朋友驚青舅父（劉青云）及其兩個(gè)外甥已不幸被印度催眠術(shù)催眠，連自己是誰(shuí)都不再曉得，然而亞星總算找到了領(lǐng)門人，賭場(chǎng)的兩頭神蛇把他教成了沉迷于賭博和吸毒的壞小子，此時(shí)，大家姐發(fā)現(xiàn)還是原來的亞星比較好，決定陪其一同喝下“印度神奇油”回到從前。

小前提

　　Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.