再見(jiàn)美女
Ciao Bella是一部關(guān)于尋找愛(ài)情和為愛(ài)掙扎的故事。按照好萊塢電影的傳統(tǒng)模式,鏡頭跟隨2個(gè)16歲的年輕人腳步發(fā)展。有時(shí)在你16歲的時(shí)候,你就面臨著人生的重大抉擇。Mustafa Moradi非常想有個(gè)女友,但是他認(rèn)識(shí)的女孩卻只把他當(dāng)普通朋友。他突然想到了一個(gè)自認(rèn)為聰明的法子,就是假裝成浪漫的意大利人,一個(gè)充滿(mǎn)各種可能性的世界出現(xiàn)了。在城市的另一端,Linnea 也在尋在著她生命的另一半,作為生活在一個(gè)很落魄社區(qū)的瑞典女孩,這可不是一件容易的事情。可是事無(wú);絕對(duì) rdquo;,她就這么遇上了這位浪漫的意大利青年;
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家有仙妻2005
妮可·基德曼,威爾·法瑞爾,雪莉·麥克雷恩,邁克爾·凱恩,詹森·舒瓦茲曼,克里斯汀·肯諾恩斯,希瑟·伯恩斯,吉姆·特納,史蒂芬·科拜爾,大衛(wèi)·艾蘭·格里爾,邁克爾·巴達(dá)魯科,卡羅爾·謝利,史蒂夫·卡瑞爾,凱蒂·芬內(nèi)朗,詹姆斯·里普頓,柯南·奧布萊恩,艾米·塞德麗絲,理查德·坎德,艾德·麥克馬洪,凱特·沃什,尼克·拉奇任務(wù)迷走72小時(shí)
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚(yáng),海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特朱橘
在你的愛(ài)情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya吞天巨鯊
陳外,程爽,成止微,秦宇喜馬拉亞星
鄭中基,張柏芝,劉青云,應(yīng)采兒,吳鎮(zhèn)宇,黃又南,徐天佑,李兆基,黃光亮,成奎安同類(lèi)精選
活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina正義聯(lián)盟:無(wú)限地球危機(jī)(上)
馬特·波莫,詹森·阿克斯,達(dá)倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當(dāng)斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達(dá)達(dá)里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾老板和小可愛(ài)
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco Tinelli影視排行
偉大的覺(jué)醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
丹下左膳:大岡越前外傳
森山未來(lái),黑木華,每熊克哉,福士誠(chéng)治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內(nèi)正,田邊誠(chéng)一,田村亮,高橋克典平侍出身、獨(dú)眼的劍豪丹下左馬之介(森山未來(lái) 飾),奉相馬家當(dāng)主大膳亮(每熊克哉 飾)之命,前往江戶(hù)小野冢道場(chǎng)奪取傳說(shuō)中的一對(duì)妖刀“乾云丸”與“坤龍丸”。他以忠義為念拼死挑戰(zhàn),卻在激斗中失去了右臂。幸得通緝犯阿藤(黑木華 飾)與與吉(加藤諒 飾)相救,奇跡般地存活下來(lái),化名“丹下左膳”重生。此后,圍繞妖刀的陰謀不斷擴(kuò)大,敵人接踵而至,連町奉行大岡忠相(高橋克典 飾)也卷入其中——一場(chǎng)關(guān)乎忠義與命運(yùn)的江戶(hù)風(fēng)云由此展開(kāi)。
給我你的愛(ài)2
塔布,阿賈耶·德烏干,馬達(dá)范,妮哈.沙爾瑪,拉庫(kù)爾·普雷特·辛格Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.