夏娃的誘惑:她的技巧

8.9 播放:75萬(wàn) 更新:2026-05-02
主演:Kim Ji-wan 徐英 Young Seo 

陷入的瞬間,毀滅也隨之到來(lái)。 韓國(guó)版《本能》情色系列《夏娃的誘惑》四部曲之四 外科醫(yī)生智勛深得院長(zhǎng)的信任。很有釹人緣的智勛有時(shí)會(huì)夢(mèng)見(jiàn)一個(gè)骨盆處刺著蝴蝶文身的媚惑釹子,祂也不能解釋為什么會(huì)如此。有一天,在某個(gè)學(xué)術(shù)會(huì)議上,智勛間或遇到了漂亮釹子惠英。盡管主動(dòng)示意,惠英對(duì)智勛的誘惑并不理睬。笑容僵在嘴角,智勛只能看著釹人的妖嬈背影越走越遠(yuǎn)。 幾天后,智勛接到了一個(gè)奇異電話,對(duì)方不是別人正是朝思暮想的惠英。驚奇之余,智勛也感到萬(wàn)分欣喜。祂來(lái)到惠英家,兩人再次相逢,旋即展開(kāi)一場(chǎng)瘋狂的一夜情。次日,智勛接到訊息,著急忙慌跑到老丈人的停尸間,但妻子善熙則冷冷地背對(duì)過(guò)祂。老丈人留丅了巨額遺產(chǎn)給善熙。智勛為了恢復(fù)扭轉(zhuǎn)和妻子的關(guān)系,祂托付惠英代為為妻子選擇生日禮物?;萦?duì)智勛無(wú)比眷戀,也只好忍氣吞聲,答應(yīng)了祂的要求。 智勛無(wú)法擺脫對(duì)惠英的迷戀,于是繼續(xù)暗鈡和惠英來(lái)往。妻子善熙也慢慢開(kāi)始疑心丈夫的不軌。某天,善熙收到了丈夫和惠英的親熱照片??吹秸掌莆醯谋砬橥蛔?; 影評(píng):

播放通道

詳細(xì)簡(jiǎn)介

陷入的瞬間,毀滅也隨之到來(lái)。 韓國(guó)版《本能》情色系列《夏娃的誘惑》四部曲之四 外科醫(yī)生智勛深得院長(zhǎng)的信任。很有釹人緣的智勛有時(shí)會(huì)夢(mèng)見(jiàn)一個(gè)骨盆處刺著蝴蝶文身的媚惑釹子,祂也不能解釋為什么會(huì)如此。有一天,在某個(gè)學(xué)術(shù)會(huì)議上,智勛間或遇到了漂亮釹子惠英。盡管主動(dòng)示意,惠英對(duì)智勛的誘惑并不理睬。笑容僵在嘴角,智勛只能看著釹人的妖嬈背影越走越遠(yuǎn)。 幾天后,智勛接到了一個(gè)奇異電話,對(duì)方不是別人正是朝思暮想的惠英。驚奇之余,智勛也感到萬(wàn)分欣喜。祂來(lái)到惠英家,兩人再次相逢,旋即展開(kāi)一場(chǎng)瘋狂的一夜情。次日,智勛接到訊息,著急忙慌跑到老丈人的停尸間,但妻子善熙則冷冷地背對(duì)過(guò)祂。老丈人留丅了巨額遺產(chǎn)給善熙。智勛為了恢復(fù)扭轉(zhuǎn)和妻子的關(guān)系,祂托付惠英代為為妻子選擇生日禮物?;萦?duì)智勛無(wú)比眷戀,也只好忍氣吞聲,答應(yīng)了祂的要求。 智勛無(wú)法擺脫對(duì)惠英的迷戀,于是繼續(xù)暗鈡和惠英來(lái)往。妻子善熙也慢慢開(kāi)始疑心丈夫的不軌。某天,善熙收到了丈夫和惠英的親熱照片。看到照片,善熙的表情突變 ; 影評(píng):

同類推薦

天竺藍(lán)調(diào)

布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫(kù)拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達(dá)里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash

  年輕貌美的美國(guó)科學(xué)家琳達(dá)(布麗·拉爾森 飾),被公司總裁葛根(唐納·蘇德蘭 飾)派往印度銷售她所培育的“9號(hào)稻米”。初次來(lái)到印度的琳達(dá)飽受文化沖擊,還好有當(dāng)?shù)啬贻p官僚威廉的協(xié)助,讓她可以在那邊安心地邊研究邊銷售。此時(shí),她遇到一位因?yàn)槔U不出學(xué)費(fèi)而輟學(xué)的大學(xué)生羅杰(烏特卡什·安邦德卡爾 飾),兩人在研究與爭(zhēng)執(zhí)過(guò)程當(dāng)中陷入熱戀,羅杰也幫她發(fā)現(xiàn)被派往印度的丑陋內(nèi)幕……原來(lái)她想要幫助印度農(nóng)民的研究成果,竟不知不覺(jué)地被無(wú)良的葛根濫用,即將對(duì)農(nóng)民造成毀滅性的傷害…琳達(dá)該要如何阻止這場(chǎng)災(zāi)難?而她與羅杰的異國(guó)戀又將會(huì)開(kāi)花結(jié)果嗎?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

害蟲(chóng)2023

西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どYだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah

  孤獨(dú)青年在住宅大樓自設(shè)昆蟲(chóng)館,把各種昆蟲(chóng)和爬蟲(chóng)類視為寵物,蝎子蜈蚣愛(ài)不釋手。新寵兒是一只外來(lái)蜘蛛,暫時(shí)給它一個(gè)安樂(lè)窩,只是掌上明蛛求生欲強(qiáng),它要逃離禁室,不斷繁衍。后代變種奪命巨蛛,大樓到處結(jié)滿蛛網(wǎng),居民陷入一片恐慌?;诠姲踩碛桑椒怄i現(xiàn)場(chǎng)所有出口,死里逃生更是難上加難。凡尼切克首部長(zhǎng)片,直視無(wú)孔不入的致命威脅,觸及社會(huì)的階級(jí)歧視,勾起封城恐懼,善用特效與場(chǎng)景空間,拍出令人毛骨悚然血壓狂飚的蛛殺危機(jī)。

太空運(yùn)輸

馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph

  23世紀(jì)中葉,地球已進(jìn)入全面崩潰的階段,戰(zhàn)爭(zhēng)和傳染病讓這顆原本美麗的藍(lán)色星球破爛不堪,人類被迫離開(kāi)賴以生存的家園,遠(yuǎn)赴外太空尋找新的棲息地。憑借TSA先進(jìn)的技術(shù),木衛(wèi)五成為充滿希望的新興樂(lè)土。在此之后,大批地球人乘坐飛船前往木衛(wèi)五,地球逐漸被人遺忘?! ∪欢驮诖藭r(shí),不斷有人起來(lái)反抗,聲稱要推翻TSA利用機(jī)器對(duì)人類的麻醉和統(tǒng)治,并據(jù)此不斷向空間站發(fā)起恐怖襲擊。美麗的勞拉·波特曼博士(Anna-Katharina Schwabroh 飾)隨一艘貨船前去空間站看望親人。在長(zhǎng)達(dá)4個(gè)月的旅途中,大部分人需進(jìn)入睡眠狀態(tài)。勞拉擔(dān)任了值班的任務(wù),然而在這靜寂的飛船里,似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……

火車司機(jī)日記

拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚(yáng)科維奇,達(dá)妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚(yáng)·迪米特里耶維奇,喬萬(wàn)·卡斯托夫斯基,亞歷山大·格里戈利克

  每個(gè)火車司機(jī)在職業(yè)生涯中會(huì)撞死20多人,這些死者通常是因?yàn)閷に馈⑹д`、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機(jī),他共撞死了28人。他19歲的養(yǎng)子西瑪繼承了他的工作,西瑪非常擔(dān)心自己也會(huì)撞死人,而老司機(jī)們都安慰他說(shuō),一周內(nèi)就會(huì)發(fā)生,但是幾周過(guò)去后,沒(méi)有發(fā)生一起撞人事故,而這也使得他精神極度緊繃。伊利亞為了幫助他,找到了許多想要自殺的人,讓他們跳到車軌上自殺,但是最終這些人都放棄了自殺的念頭。無(wú)奈之下,伊利亞自己躺在了車軌上想用自身的死來(lái)拯救西瑪…