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劇情簡介
一部關于寄宿生和寄宿房主人故事的影片
同類好片
分裂: 黑色子彈
山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利超級士兵
約翰·亞伯拉罕,杰奎琳·費南德斯,拉庫爾·普雷特·辛格瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶無懼之愛
協(xié)塔朋·平朋,翁韋德·答奴翁,安蘇瑪琳·瑟拉帕薩默莎,卡維·丹扎拉嵐,索姆查·肯格拉,????????????? ???????河東獅吼
張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅人氣佳作
羅薩里奧
大衛(wèi)·達斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos少林傳人
狄龍,爾冬升,白彪,艾飛,詹森惑星大戰(zhàn)爭
宮內洋,平田昭彥,沖雅也,森田健作,淺野優(yōu)子,池部良最爽的一天
馬提亞斯·施維赫夫,弗洛里安·大衛(wèi)·菲茨,賴納·博克,拉斯·多普勒,安德亞斯·杜伯斯,杰克·希爾,亞歷山德拉·瑪麗亞·拉娜,弗萊德雷克·林克曼,羅伯特·尼基施,卡洛琳·拉普,羅比特·舒阿普,塔蒂婭·賽布特,瑪麗亞·沃斯導演精選
馬路天使
安吉拉(珍妮·蓋諾 Janet Gaynor 飾)的母親身患重病,急需藥物進行治療。生活在窮困潦倒之中的安吉拉無奈之下只能行竊救命,她的舉動自然遭到了警方的通緝和追捕,安吉拉就此踏上了逃亡的旅途?! ⊥局?,安吉拉來到了一個馬戲團之中,隱姓埋名成為了其中的一名演員,這正好幫助她拜托了警方的糾纏。在馬戲團中,安吉拉邂逅了名為基諾(查爾斯·法萊爾 Charles Farrell 飾)的年輕畫家?;Z雖然有著一身的才華卻依舊只是一個名不見經傳的無名畫家,安吉拉的出現激發(fā)了他的靈感,幫助他取得了事業(yè)上的成就,墜入愛河的兩人決定結婚,但在婚禮舉行之際,警方還是發(fā)現了安吉拉的蹤跡。
陰目偵信
改編自同名熱門恐怖小說的電影《陰目偵信》發(fā)布先導預告,陰目征信社接到新Case了? 原著講述從小擁有陰陽眼的石頭成長過程十多年來與鬼為鄰,見盡生死相隔、人鬼殊途。身為香港首富伍氏豪門的子嗣,伍伯良身負家族世代相傳、不可告人的驚天秘密。大學猛鬼宿舍,時辰一到,石頭與新結識的伍伯良和怪人PATRICK,能否合力阻止鬼門大開?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster