三人行

 曾拍《大空頭》（The Big Short）聚焦美國(guó)次貸危機(jī)的導(dǎo)演亞當(dāng)·邁凱（Adam McKay）日前與派拉蒙簽約，將導(dǎo)演一部講述美國(guó)前副總統(tǒng)迪克·切尼（Dick Cheney）故事的傳記片。而布拉德·皮特的“B計(jì)劃”制片公司也將繼《點(diǎn)球成金》、《大空頭》后再次與邁凱合作，制作這部電影。迪克·切尼號(hào)稱是美國(guó)歷史上最有權(quán)勢(shì)的副總統(tǒng)，他也是現(xiàn)任美國(guó)副總統(tǒng)彭斯（Mike Pence）的效仿對(duì)象。布什當(dāng)政八年時(shí)間里，表面上切尼是美國(guó)的二號(hào)人物，但實(shí)際上小布什總統(tǒng)（George W. Bush）的很多決定，包括阿富汗戰(zhàn)爭(zhēng)、入侵伊拉克等都是由他定奪的。切尼本人是一個(gè)充滿爭(zhēng)議的矛盾體。他一直都是保守黨派，曾為尼克松、福特、老布什政府做過(guò)幕僚，后進(jìn)入哈利伯頓公司當(dāng)了幾年CEO，然后和小布什一起入主白宮；但他對(duì)于同性戀婚姻卻持支持態(tài)度，因?yàn)樗呐畠菏且幻詰?。此外，切尼五次拖延不愿去越?zhàn)戰(zhàn)場(chǎng)，卻是個(gè)不折不扣的主戰(zhàn)鷹派。亞當(dāng)·邁凱說(shuō)：“我一直覺(jué)得切尼是個(gè)有意思的人物，很想搞清楚究竟是什么在驅(qū)動(dòng)他、他到底信仰什么。所以我們就做了深挖調(diào)查，結(jié)果令人震驚，切尼堪稱是美國(guó)現(xiàn)代史上最有權(quán)力的政治人物，他在很大程度上塑造了美國(guó)現(xiàn)在的國(guó)際地位，而他為了攫取權(quán)力所采取的方式也令人瞠目結(jié)舌?！眮啴?dāng)·邁凱希望能在2017年春拍攝本片，并在年底上映。目前他正在物色合適的演員人選。亞當(dāng)·邁凱拍攝《切尼傳》，意味著他之前接手的《壞血》（Bad Blood）項(xiàng)目要往后推遲了。

　　電影講述28歲的女主角無(wú)法承受男友求婚的壓力，她選擇以與中學(xué)生交朋友的方式來(lái)逃避。凱拉·奈特莉在片中扮演一個(gè)叫做“梅根”（Megan）的年輕女人，她的男友（馬克·韋伯）策劃了一場(chǎng)別出心裁的求婚，結(jié)果嚇壞了她，于是借著休假的名義和16歲的妹妹安妮卡（科洛·莫瑞茲）一起找了 個(gè)地方躲了起來(lái)。薩姆·洛克威爾在片中將扮演一個(gè)叫做“克萊格”（Craig）的老男人。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　安諾軒辭高薪逐寫(xiě)作夢(mèng)，26歲遭男友陳強(qiáng)出軌并貶其夢(mèng)想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機(jī)合租。兩人磨合中漸生情，雖因誤會(huì)分開(kāi)，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對(duì)象華清泫，獲蘇母認(rèn)可，婚后安諾軒寫(xiě)作終成。