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咸魚翻身
李健仁,梁家仁,鐘偉強,程東,黃一山,馬雪陽,Boz,董方卓靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲不允許帶狗
卡洛·克拉姆林,羅賓·桑德曼,卡塔琳娜·瑪麗·舒伯特,斯蒂姆拜爾·蒙克,比內(nèi)塔·漢森,肖恩·道格拉斯,薩米·施賴恩,維拉·菲,麗莎·里斯納,奧勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉爾夫·霍尼克,弗蘭茨·費迪南德·克勞斯,卡特婭·烏菲爾曼,芬雷·德亞文邪惡校園
尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald毛骨悚然撞鬼經(jīng) 2016夏季特別篇
稻垣吾郎,武井咲,豐島花,板谷由夏,中島健人,前野朋哉,半海一晃,生田繪梨花,生駒里奈,齋藤飛鳥,白石麻衣,西野七瀨,笨蛋節(jié)奏,岸井雪乃,吉本美憂,利重剛,柳葉敏郎,前田敦子,鹿賀丈史洛杉磯之戰(zhàn)
艾倫·艾克哈特,拉蒙·羅德里格茲,威爾·羅斯海爾,科里·哈德里克,吉姆·帕拉克,基諾·安東尼·佩西,尼歐,詹姆斯·廖,布里吉特·莫伊納漢,諾爾·費舍,阿德托庫姆布斯·麥克馬克,布賴斯·卡斯,邁克爾·佩納,米歇爾·羅德里格茲,小尼爾·布朗,泰勒·漢德雷,喬伊·金,盧卡斯·提爾,Kenneth Brown Jr.,雅丹·古爾德,喬·克里斯特,E·羅杰·米切爾,羅斯·布萊克維爾,蘇西·阿布羅梅特,布蘭迪·科爾曼,大衛(wèi)·詹森,湯姆·希爾曼,莉娜·克拉克,塔琳·薩瑟恩,詹姆斯·D·德弗,Dane Brown,Gra同類推薦
懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
安吉的治療
拉內(nèi)特·塔切爾,肖恩·尼爾森,精華阿特金斯十年前，一位在派對上被強奸的年輕女子，飽受創(chuàng)傷，抓住難得的機會，向施暴者反擊。然而，復(fù)仇的甜蜜滋味，卻讓她變成了多年來一直恐懼的那個怪物。這段驚險刺激的旅程將讓你緊張不安，模糊是非對錯的界限。隨著權(quán)力格局的不斷變化，安吉的治愈之路也引出了一個問題：“為了擺脫創(chuàng)傷，你愿意付出多少？”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler JohnsonA clan of watermen capture a crew of sport fishermen who must then fight for their lives.
衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾故事發(fā)生在塞內(nèi)加爾的大型建筑工地附近，晚上工人們與一名男子發(fā)生了沖突，男子的哥哥在工地因工傷喪生。