臉Visage

★ 6.7 播放：74萬 更新：2026-04-25

荷蘭藝術(shù)猛片，中西合璧影片；一位臺(tái)灣導(dǎo)演被邀請(qǐng)到羅浮宮，拍攝圣經(jīng)故事「莎樂美」。他堅(jiān)持邀請(qǐng)心儀已久卻傳聞精神狀況不佳的法國影帝尚皮耶李?yuàn)W，演出劇中輾斷圣施洗約翰頭顱的希律王。這部低成本的製作為顧慮電影票房，硬著頭皮請(qǐng)來國際名模演出莎樂美。暫無內(nèi)容影片才剛開拍就狀況連連。牡鹿神秘失蹤、希律王撞斷鼻梁、莎樂美和圣施洗約翰在戲外交構(gòu)、羅浮宮內(nèi)拿破崙廳導(dǎo)演小康在杜樂利花園的密林激情中，接到母親過世的電話通知，女製片也隨之飛往臺(tái)北參加葬禮。陰沉的舊公寓裡，母親的鬼魂遲遲不肯離去。所有的工作人員，陷入一個(gè)漫長(zhǎng)的等待。暫無內(nèi)容電影終于又要繼續(xù)拍攝，戲裡戲外的角色開始模糊，一群著莎樂美華麗古裝戲服的明星，在羅浮宮滿載藝術(shù)靈魂的廳廊、暗室、古道中穿梭，彼此尋找著每個(gè)人心中的莎樂美

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劇情簡(jiǎn)介

荷蘭藝術(shù)猛片，中西合璧影片；一位臺(tái)灣導(dǎo)演被邀請(qǐng)到羅浮宮，拍攝圣經(jīng)故事「莎樂美」。他堅(jiān)持邀請(qǐng)心儀已久卻傳聞精神狀況不佳的法國影帝尚皮耶李?yuàn)W，演出劇中輾斷圣施洗約翰頭顱的希律王。這部低成本的製作為顧慮電影票房，硬著頭皮請(qǐng)來國際名模演出莎樂美。暫無內(nèi)容影片才剛開拍就狀況連連。牡鹿神秘失蹤、希律王撞斷鼻梁、莎樂美和圣施洗約翰在戲外交構(gòu)、羅浮宮內(nèi)拿破崙廳導(dǎo)演小康在杜樂利花園的密林激情中，接到母親過世的電話通知，女製片也隨之飛往臺(tái)北參加葬禮。陰沉的舊公寓裡，母親的鬼魂遲遲不肯離去。所有的工作人員，陷入一個(gè)漫長(zhǎng)的等待。暫無內(nèi)容電影終于又要繼續(xù)拍攝，戲裡戲外的角色開始模糊，一群著莎樂美華麗古裝戲服的明星，在羅浮宮滿載藝術(shù)靈魂的廳廊、暗室、古道中穿梭，彼此尋找著每個(gè)人心中的莎樂美

導(dǎo)演精選

人皮燈籠

　　1963年，一伙黑幫分子在老大的指使下將一對(duì)情人殘忍殺害，男子被埋在“十世受苦，不得超生”的陰穴處；而女子被扒皮，皮罩在燈籠上，永世不得超生。　　1993年，蠱惑仔阿輝（梁家輝 飾）終日倒霉透頂，而且身邊連連發(fā)生奇怪靈異世間。阿輝在古董攤買下一古董表，卻被一股力量莫名牽引到一棟廢宅里，半夢(mèng)半醒間見自己與一個(gè)叫小芙蓉的藝旦（邱淑貞 飾）親熱的場(chǎng)面。　　輝在醫(yī)院被一鬼魂提醒只有四婆能夠解救自己，于是他前往找四婆。四婆為他問米，他從盆中之水漸漸看到了自己的前世悲慘遭遇……

未來學(xué)大會(huì)

　　曾經(jīng)名噪一時(shí)的女明星羅賓·懷特（羅賓·懷特 Robin Wright 飾）早已過氣，45歲的她因?yàn)閳?zhí)拗和任性毀掉的很多機(jī)會(huì)，也讓公司老板杰夫（丹尼·赫斯頓 Danny Huston 飾）漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約，從此羅賓的名字和三維掃描后的虛擬 形象只能出現(xiàn)在公司的展示墻上和數(shù)字時(shí)代的電影中。羅賓起初極度抵制，但在經(jīng)紀(jì)人艾爾（哈威·凱特爾 Harvey Keitel 飾）的竭力勸說下，同時(shí)考慮到兒子亞倫（柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾）的狀況，這個(gè)倔強(qiáng)的女人選擇妥協(xié)。20年后，羅賓驅(qū)車前往亞伯拉荷馬參加未來學(xué)大會(huì)，而那里是一個(gè)全動(dòng)畫封鎖區(qū)。以動(dòng)畫形象示人的羅賓將經(jīng)歷一次難忘的旅程……　　本片根據(jù)波蘭科幻、哲學(xué)、未來學(xué)作家斯坦尼斯拉夫·萊姆的短篇小說改編。

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.