處女初夜情

 她（李來 飾）是一個美麗平凡的小女孩，和爸爸媽媽生活在位于街角的家中。家里經(jīng)營著以她的名字素媛命名的雜貨店，母親（嚴(yán)智媛 飾）作為老板娘日夜忙碌不得閑暇，父親則在工廠干著繁重的工作。在那個飄雨的早上，素媛打著雨傘獨自上學(xué)。在離學(xué)校近在咫尺的地方，她遭遇一個相貌猥瑣、酒氣沖天的大叔，由此開啟了她的悲劇之旅。柔嫩的小花遭到暴風(fēng)雨無情摧殘，受傷的豈止枝枝葉葉，更是那迎著陽光無憂成長的心。無良媒體鋪天蓋地大肆渲染，作為受害者的素媛一家仿佛成了周身污穢的恥辱之人，被四周詫異好奇的目光所包圍。媽媽悲痛欲絕，幾近崩潰。爸爸全力保護(hù)女兒，但受傷的小天使卻拒絕爸爸的靠近。問兇之路伴隨著天使的治愈旅程，美麗的女孩可會再露燦爛笑容？

　　弗蘭克·沙萊克是個國際刑警，沙萊克在工作中的過激行為有被上司停職的危險。 弗蘭克·沙萊克有一個秘密組織，專門從事尋找綁架兒童的線索。 沙萊克聽到唱詩班指揮的死亡，他認(rèn)為他自己能調(diào)查這個案件，并且他也已經(jīng)發(fā)現(xiàn)了一個線索，并與卡斯丹合作調(diào)查。但隨著調(diào)查的深入，他們越陷越深，那些秘密就隱藏在二次大戰(zhàn)的那些黑暗歷史中

職業(yè)拳擊手神山英次在菲律賓試圖東山再起，卻始終未能獲得比賽機會，轉(zhuǎn)眼已至不惑之年。就在此時，長期失聯(lián)的女兒桃子突然造訪，命運的齒輪由此轉(zhuǎn)動。失去母親后無處可去的桃子，漂洋過海來投奔父親。 　　異國菲律賓的屋檐下，這對父女開始了生澀的同居生活。血緣的羈絆難以輕易填補十余年的空白，兩人笨拙地摸索著親子關(guān)系的形狀。 　　女兒身上總帶著“另一個自己”的影子，這段充滿磕絆卻暗藏溫情的日常，讓曾經(jīng)視野狹隘的神山逐漸學(xué)會環(huán)視周遭——塬來注視著他的，不止是桃子，還有更多人的目光…… 　　當(dāng)比賽機會奇跡般降臨，英次為贏得屬于他們的容身之處毅然踏上擂臺。這部以拳擊為背景的作品，最終講述的是關(guān)于“父”與“子”共同成長的生命物語。

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.