劇情簡介
雷朋之父曾和雅芳之父陳有福為生意合作伙伴，但因生意失敗，雷父含恨而逝。雷朋誓言報仇，有意追求雅芳。并向陳氏三父釹放蠱放毒，雖得雅虹侽朋友文龍及師兄全力搶救，雅虹及雅芳兩姐妹能保xing命，惋惜有福鈡毒身亡。文龍、法正及師兄三人齊尋雷朋決一死戰(zhàn)，一場激戰(zhàn)隨即展開
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炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費爾南多·卡約,里卡多·德巴雷羅卡洛斯在一家銀行支行當總經(jīng)理，最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天，他送兩個孩子馬科斯和莎拉上學(xué)，卻發(fā)生了改變他人生命運的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機，一個陌生男人打來電話，號稱卡洛斯的車里被安置了一顆炸彈。而恰在此時，一個神秘的黑衣摩的男尾隨而至。這是一個惡作劇，還是真實的綁架勒索？事情的緣起何故，卡洛斯一家命運又該如何？這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動魄……
瘋狂的麥克斯：狂暴女神
安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內(nèi)森·瓊斯,喬什·赫爾曼,大衛(wèi)·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨影片講述了復(fù)仇女神弗瑞奧薩（安雅·泰勒-喬伊 Anya Taylor-Joy 飾）驚心動魄的成長史。年輕的弗瑞奧薩從原本的家園被掠走，落入軍閥狄門特斯（克里斯·海姆斯沃斯 Chris Hemsworth 飾）領(lǐng)導(dǎo)的幫派手中，在穿過荒原時，他們來到不死老喬（拉黑·休姆 Lachy H ulme 飾）所掌管的堡壘。在兩位暴君爭奪統(tǒng)治地位的同時，弗瑞奧薩必須在重重考驗中活下來，并想方設(shè)法尋找回家的路；她也逐漸成長為利落酷颯的狂暴女神。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
請以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯故事發(fā)生在八十年代的意大利里維埃拉，每年夏天，十七歲的少年艾力奧（提莫西·查拉梅 Timothée Chalamet 飾）都會跟家人一起來此地度假。今年，和他們共享假日時光的，還有來自美國的奧利弗（艾米·漢莫 Armie Hammer 飾），高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時間的推移，艾力奧和奧利弗之間漸漸產(chǎn)生了致命的吸引力，但性別和年齡的桎梏讓他們遲遲無法跨出那關(guān)鍵的一步，與此同時，單純善良的少女馬奇婭（艾斯特·加萊爾 Esther Garrel 飾）也向艾力奧奉獻著自己的感情和身體。最終，洶涌的激情沖破了艾力奧和奧利弗之間的防線，兩人開始了一段注定不會有結(jié)果的戀情。
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
列寧格勒牛仔搭摩西
Twist-Twist Erkinharju,Ben Granfelt,Sakke J?rvenp??此片是《列寧格勒牛仔征美記》的續(xù)集，列寧格勒牛仔樂團收到了美國人的邀請去紐約演出，沒有簽證的他們在墨西哥海關(guān)闖關(guān)成功來到了美國，這是他們前任隊長米盧出現(xiàn)了，他號稱在沙漠里得到了上帝的拯救，已經(jīng)洗心革面成為了像摩西一樣的圣人，他許愿他們巡回演出后把他們帶回故鄉(xiāng)，因為家鄉(xiāng)誕生了一頭圣牛，為了慶祝，米盧決定盜走自由女神的鼻子作為獻給圣牛的禮物，得逞后他們帶著鼻子來到了法國、德國、捷克，一路上他們和CIA密探斗志斗勇，險象環(huán)生，而密探長時間和因為看了米盧送的圣經(jīng)為之感化，成為了他們的一員，于是，這支并不高明的樂隊為了這個神圣的夢想，一路賣唱，千辛萬苦，終于回到了西伯利亞的家鄉(xiāng)
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學(xué)院畢業(yè)生喬德回到家鄉(xiāng)準備司法考試，但做殯葬業(yè)的父親卻生病了，怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因為無法接受前女友的死亡，想方設(shè)法希望能再跟她見上一面，因此來幫喬德的忙。究竟在這個生與死交會的地方，他們會遇見什么樣的故事呢？