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劇情簡介
新婚夫婦Joo-hee和Hanki前往一個(gè)孤立的地方旅行,在那里,Han-ki與一個(gè)完全被遺忘的女人Ga-young團(tuán)聚。 與過去的寒冷日子相處,與妻子一起度假,Ga-young的誘惑力每天都在增加,并導(dǎo)致瘋狂的癡迷,在Siik和Ju的幫助下,他收緊了呼吸。 ... 他被嘉英馴服,成為肉體上的奴隸...
同類好片
旅行的機(jī)器人
山寺宏一,林原惠美尸咒
金允慧,宋以載,樸智勛,李相亞棉花軟糖
柯賓·伯恩森,庫?!趥愃?Kai Cech,Max Malas異塵余生:尸鬼圣誕節(jié)
腐壞之巫
阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費(fèi)雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門通,史蒂夫·沃爾,喬納森·法蘭西人氣佳作
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪?shù)倌取だ聿槠?霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競宇自拍復(fù)印機(jī)
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達(dá)瑪拉導(dǎo)演精選
孤兒2025
1956年匈牙利革命后,一個(gè)男孩從小被母親灌輸了關(guān)于已故父親的理想化故事,卻突然遇到一個(gè)粗野的男人,對方聲稱自己是他的親生父親。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
誓不遺忘
帕茲和西蒙是一對夫婦,他們與西蒙的女兒生活在一個(gè)小鎮(zhèn)上。西蒙是一支女子足球隊(duì)的教練。一個(gè)偶然的機(jī)會(huì),西蒙的女兒在踢球時(shí)發(fā)現(xiàn)有人正在進(jìn)行宗教儀式。她走近并拿走了一個(gè)器物,然而不久之后,女兒神秘失蹤了。西蒙和帕茲非常擔(dān)心女兒的安危,他們四處打聽消息,而西蒙尤為焦急。為了找到女兒,帕茲一方面為她祈禱,一方面尋求靈媒的協(xié)助。通過與西蒙的接觸,靈媒得以看到一些景象:一個(gè)男人被兩個(gè)人殺害,小女孩藏在床底下,倒立的十字架,紅色窗簾覆蓋在尸體上?! ∥髅陕牭竭@些描述感到震驚和恐懼,他急不可耐地與久未聯(lián)系的母親取得聯(lián)系,希望她能幫忙打聽消息。帕茲的表哥在警局工作,他雖然知道FBI已經(jīng)接手此案,但仍愿意協(xié)助打聽消息。于是,西蒙和表哥一起前往人員繁忙的紅燈區(qū)。就在他們與負(fù)責(zé)該區(qū)域的警官交談時(shí),一個(gè)妓女認(rèn)出了西蒙,但叫他羅伯特。西蒙堅(jiān)稱她認(rèn)錯(cuò)了人,妓女于是在紙巾上寫下一行字,邀請他私下交談。當(dāng)晚,西蒙前往約定地點(diǎn),但發(fā)現(xiàn)妓女已被殺。