愛的果實(shí)
女兒的丈夫是農(nóng)民35歲，他叫浩二，和高中情人麻里子結(jié)婚，感情很好，尤其x愛激情強(qiáng)烈。不料浩二生意失敗，背著巨大債務(wù)，想盡辦法向親友借錢，夫妻也辛勤工作，也還不了這龐大鉅額。債主屢找上門，恐嚇并傷害他，妻子十分害怕，她的父母也曾經(jīng)要女兒和他離婚....。 浩二想盡辦法賺錢與籌款，他經(jīng)營洗衣店，研究培育甲蟲，妻子指揮交通工作，兩人日夜所得，還欠債仍遙遠(yuǎn)。某天得知以前高中同學(xué)安西，最近開發(fā)手機(jī)應(yīng)用程式，年收入10億。因浩二的妻子以前是學(xué)校第一美女，又和自己妻子前有段戀情舊愛，于是鼓起勇氣，欲向安西貸借5000萬還債。安西答應(yīng)所求，條件是借用其妻3個月，并作為他的女人，其間他倆夫妻不得任何連絡(luò)，為了愛情與生活，妻子委屈答應(yīng)了。而安西真正目的，只是想見見麻里子，以回憶及重溫過去和她那段情侶般的戀情綺夢。但兩人孤男寡女同在屋內(nèi)，舊情人會擦出什麼男女床愛火花?? 她的現(xiàn)任丈夫內(nèi)心又會對妻子滋生什麼猜疑變數(shù)?? 及演發(fā)什麼令人難料結(jié)局.....
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同款熱播
無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利塞西莉亞（西德妮·斯威尼 飾）是一個非常虔誠的修女，她來到意大利鄉(xiāng)間修道院開始新生活，卻在這個幾乎全是女人的地方意外懷孕，原來這里隱藏著黑暗和可怕的秘密。
遇事別沖動
鹿超,宋杰,宋媛一塊寶地遭人惦記、一枚軍功章引賊來、十萬現(xiàn)金不翼而飛，夜半老漢離奇昏迷，三名陌生男子橫躺家中。是陰謀？是誤會？層層烏龍背后，深藏的是榮譽(yù)執(zhí)念與親情渴望。當(dāng)真相揭開，一切竟源于最樸素的執(zhí)念與最陰差陽錯的誤會……榮譽(yù)與親情，最終將如何安放？
全信沒收
馬特·達(dá)蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內(nèi)斯特·卡博內(nèi)爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費(fèi)里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點(diǎn)重重，到底還剩下什么可以相信？又有誰依然值得信賴？
陰陽師2
野村萬齋,深田恭子,中井貴一,伊藤英明,市原隼人平安時代，百鬼夜行，封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子（深田恭子 飾）戎裝登場，一箭命中靶心，引來全場驚嘆。這位被喻為“連鬼都不敢接近”的公主，卻令源博雅（伊藤英明 飾）暗自傾心。天現(xiàn)異象，京都騷動，魍魎橫行。平安京已有四人遇害，民間出現(xiàn)驅(qū)鬼術(shù)士幻角（中井貴一 飾），日美子亦在異象后開始夢游。博雅為此替右大臣來請安倍晴明（野村萬齋 飾）商談。與此同時，宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動。晴明受天皇所托，與博雅開始調(diào)查種種異況背后出云與大和的隱秘淵源?！ 〔┭藕鸵箯椗玫纳衩厣倌觏氉簦ㄊ性廊?飾）相識為樂友，須佐負(fù)傷被日美子所救，三人在右大臣府邸相逢。同一時刻，右大臣主動找到晴明，坦白了十八年前天現(xiàn)異象時，大和攻打出云的事實(shí)…… 本片為電影《陰陽師》續(xù)作。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
汽車旅館人生
Emile Hirsch,達(dá)科塔·范寧時光網(wǎng)訊 據(jù)國外媒體報道，埃米爾·赫斯基將主演一部名為《The Motel Life》的新片，而他也被本片最早確定下來的主創(chuàng)人選?！ ∮捌木幾訵illy Vlautin的同名處女作小說，講述了一對內(nèi)達(dá)華州的兄弟在經(jīng)歷了一場致命變故后踏上逃亡之路，雖然途中偶然會出現(xiàn)幸運(yùn)和希望，但他們依舊漸漸被社會所遺棄。