影片推薦
冷光中
麥卡·夢(mèng)露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait警長(zhǎng)索恩:貪睡鬼
大衛(wèi)·莫瑞瑟,艾丹·吉倫月亮中的亞馬遜女人
阿瑟尼奧·豪爾,Donald F. Muhich,莫妮卡·加布里埃爾總統(tǒng)的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj捍衛(wèi)時(shí)空戰(zhàn)士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don Henderson哨兵
邁克爾·帕爾,杰森·R·摩爾,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King同類精選
驚爆魔盜團(tuán)
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al Jeffry利刃之刀鋒戰(zhàn)士
魏小歡,張博楠,馬暢,劉冰阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins風(fēng)雪飄搖
王宇,伊日貴,其那日?qǐng)D,鋼特木爾,趙思芮,熬爾,巴音炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅獵殺游戲
格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛(wèi)·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后的吸血鬼
工藤夕貴,中村佐恵美該片是押井守參與制作的一部動(dòng)畫電影。獲2002年斯圖加特國(guó)際動(dòng)畫電影節(jié)最佳長(zhǎng)篇獎(jiǎng),獲2001年日本文化廳文化廳MEDIA藝術(shù)祭動(dòng)畫大賞。1966年秋天,越南戰(zhàn)爭(zhēng)期間,在日本國(guó)內(nèi)的美國(guó)空軍橫田基地內(nèi),不時(shí)可見F4幻影戰(zhàn)斗機(jī)頻繁起降,空氣中充斥著一股殺戮的氣氛;就在此時(shí),基地附近的市區(qū)連續(xù)發(fā)生了離奇的命案。 地下鐵,銀座線,正駛著通往淺草的最后一班列車,一名少女出現(xiàn)在空蕩的車廂內(nèi),她擁有令大人感到刺眼的眼神,緊閉著雙存欲訴說她內(nèi)心的真正意念,她的名字叫小夜(SAYA);她是“組織”為了打倒?jié)摲谌祟惿鐣?huì)里的吸血鬼“翼手”,因而派遣至人類社會(huì)的救世主。 穿著水手服的小夜,手持日本武士刀作為武器,潛入了基地內(nèi)的美國(guó)學(xué)校。一柄冷血無情的武士刀,是她消除邪魔、保護(hù)人類的武器。而她身體里這一半的人性,可能就是她打敗敵人的秘訣……
414區(qū)
蓋·皮爾斯,崔維斯·費(fèi)米爾,約翰內(nèi)斯·豪克爾·約翰內(nèi)森,科林·薩蒙,奈德·丹內(nèi)利,瑪?shù)贍栠_(dá)·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine故事背景設(shè)置在不遠(yuǎn)的未來世界,在414區(qū)的人型機(jī)器人殖民地中,私家偵探大衛(wèi)·卡邁克爾(皮爾斯飾)受雇于癡迷商業(yè)世界的財(cái)閥馬龍·維特(費(fèi)米爾飾)去尋找后者叛逆的女兒??ㄟ~克爾需要與高度智能的機(jī)器人(魯茨飾)通力合作,而在這個(gè)過程中,關(guān)于414區(qū)和“機(jī)器人之城”起源的罪行也浮出了水面。
請(qǐng)以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯故事發(fā)生在八十年代的意大利里維埃拉,每年夏天,十七歲的少年艾力奧(提莫西·查拉梅 Timothée Chalamet 飾)都會(huì)跟家人一起來此地度假。今年,和他們共享假日時(shí)光的,還有來自美國(guó)的奧利弗(艾米·漢莫 Armie Hammer 飾),高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時(shí)間的推移,艾力奧和奧利弗之間漸漸產(chǎn)生了致命的吸引力,但性別和年齡的桎梏讓他們遲遲無法跨出那關(guān)鍵的一步,與此同時(shí),單純善良的少女馬奇婭(艾斯特·加萊爾 Esther Garrel 飾)也向艾力奧奉獻(xiàn)著自己的感情和身體。最終,洶涌的激情沖破了艾力奧和奧利弗之間的防線,兩人開始了一段注定不會(huì)有結(jié)果的戀情。