美女牧場
蘇珊薜道曼執(zhí)導本作換電纜喜劇戲曲有關的一組在內(nèi)華達州里諾市;工作的女孩的生活了幾天。;牧場是一個合法經(jīng)營的妓院，工作細心觀察的狀態(tài)衛(wèi)生督察（誰堅持每周一次的健康檢查）和瑪麗的半仁慈領導（艾米馬迪根），經(jīng)理。而對員工的婦女沒有回避法律像他們的同志在別處，這并不意味著他們沒有自己的問題，因為媽媽忙里忙外的父母與世界上最古老的職業(yè)，有些妓女的斗爭，以保持他們的工作從自己的男朋友，和其他人的秘密試圖逃跑，讓他們進入內(nèi)華達州的過去的錯誤。最初創(chuàng)建作為試點，為可能的連接線系列，該牧場被發(fā)布了R級和;完整無缺版本;配角包括薩曼莎摩天，杰西卡柯林斯，佩奇Moss和尼基Micheaux。
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牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰結(jié)識小明（楊靜怡）前，小四（張震）是典型的乖仔，是父母的希望和兄妹的驕傲（一家人指望他考上名牌大學將來提升全家的社會地位），他有一個喜歡搖滾樂的自稱“小貓王（王啟贊）”的好友，兩人雖會去樹林看人幽會，但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活。 喜歡上小明后 ，小四便像跌進一個無底深淵，開始被外界的各種力量牽著鼻子走。新識仰慕對象honey（林鴻銘）意外身亡，一向敬重的父親的自尊與精神因為某次事件嚴重受損，加上將一次次“欺騙玩弄”他感情的小明“看透”，血氣方剛又有很強道德感的小四終于走上犯罪的道路，期望用自己的刀結(jié)束事件的根源。但小四不知的是，他眼中的根源只是這條食物鏈中微不足道的一環(huán)。
看不見的女兒
阿登·楊,茱莉亞·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
落葉球
David Koberidze,Otar Nijaradze攝影師麗莎突然失蹤。最后的線索指向她拍攝過的七個足球場——它們散落在格魯吉亞七個偏遠村莊。父親伊拉克利踏遍這些球場尋女，麗莎的摯友、如幽靈般的列瓦尼悄然加入搜尋。每當球場更迭，相遇的村民與他們的故事便如走馬燈般輪轉(zhuǎn)。看似荒誕的旅程里暗涌漸起：每踏過一片坑洼的草場，每穿過 一座寂靜村莊，找到麗莎的希望便如晨霧般日漸稀薄。
分享鎮(zhèn)
達科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達,O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾在阿什莉提出離婚后，凱里向好友朱莉和保羅尋求慰藉，卻發(fā)現(xiàn)這對表面幸福的夫妻實則奉行開放式婚姻。但當凱里逾越界限時，所有人的感情生活都陷入了混亂漩渦。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
虛擬實驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發(fā)明了革命性的藥品型軟件，可直接在人類大腦中創(chuàng)造虛擬現(xiàn)實，僅幾秒鐘就能體驗幾小時或幾天的激動人心的冒險。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環(huán)套……