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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤立無(wú)援
凱特琳·德弗,Ginger Cressman,扎克·杜哈梅,杰拉爾丁·辛格,Rose Bianca Grue,Dari Lynn Griffin,Elizabeth Kaluev,Evangeline Rose,Devyn Sandidge,Lauren L. Murray,John Cortes,娜塔莉·阿拉爾孔,Bridget Malbrough一個(gè)被放逐的焦慮不安的居家者必須與一個(gè)進(jìn)入她家的外星人戰(zhàn)斗。
湯姆·賽格拉：好為人師
湯姆·賽格拉Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere
花心夢(mèng)里人
陳勛奇,曾志偉,張敏肥招（曾志偉 飾）和凡秋（陳勛奇 飾）是一對(duì)從小一起長(zhǎng)大的好朋友，但兩人的性格卻大不相同，肥招老實(shí)木訥，凡秋則浮華招搖。因投資不善，凡秋被高利貸逼得走投無(wú)路，幸虧有好友相助，才得以在肥招家中暫時(shí)棲身。此前肥招家里住著一個(gè)離家出走的叛逆少女阿君（陳淑蘭 飾），凡秋隨她出席某酒會(huì)，認(rèn)識(shí)了美貌和財(cái)富并重的美女保蓮（楊寶玲 飾）。以此為契機(jī)，他的事業(yè)初見(jiàn)起色，隨后更和文靜賢淑的女友莎莉（張敏 飾）分手，與保蓮墜入愛(ài)河?！ ×硪环矫妫π哽t腆的肥招也開(kāi)始喜歡上莎莉，在阿君的參謀下，他向這個(gè)失意的女子展開(kāi)了感情攻勢(shì)……
猶大與黑彌賽亞
丹尼爾·卡盧亞,勒凱斯·斯坦菲爾德,杰西·普萊蒙,多米尼克·菲什巴克,艾什頓·桑德斯,阿爾吉·史密斯,達(dá)里爾·布里特-吉布森,里爾·萊爾·哈瓦瑞,多米妮克·索恩,馬丁·辛,阿馬里·切托姆,克里斯·戴維斯,伊恩·達(dá)夫,卡勒布·埃伯哈特,羅伯特·朗斯特里特,湯米·拉菲特,特雷勒·希爾,齊納·薩維爾斯,邁克爾·哈瑞蒂,邁克爾·博諾莫,布萊恩·鮑曼,杰梅因·福勒,洛根·弗萊,泰拉·喬伊·史密斯影片改編自真人真事。講述了1960年代美國(guó)黑人社團(tuán)黑豹黨歷史上的真實(shí)事件，故事聚焦于Hampton之死，他于1969年被殺，死于芝加哥警察局和FBI組織的一次突襲行動(dòng)。警方開(kāi)了80槍，而“黑豹黨”成員一共只開(kāi)了一槍，這一槍還是來(lái)自于一位成員被警方打死后的肌肉收縮。Hampton與懷孕的未婚妻正在睡覺(jué)時(shí)，頭部被近距離射殺2槍，他當(dāng)晚被下了藥，根本沒(méi)聽(tīng)見(jiàn)任何警方的動(dòng)靜，死后尸體被拖進(jìn)小巷中，年僅21歲。經(jīng)過(guò)審訊，他的死被判定為“正當(dāng)殺人”，后來(lái)在1982年，以185萬(wàn)美元的賠償數(shù)額，達(dá)到了民事訴訟的庭外和解。
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希如果靈魂離開(kāi)了身軀，肉體還是正?；顒?dòng)，該怎么去解釋這種生命形態(tài)？余燕（陳郡君飾）早晨醒來(lái)便覺(jué)得身體有異常，先后與家人和男友許德（張立昂飾）發(fā)生爭(zhēng)執(zhí)，盛怒的余燕轉(zhuǎn)身離去，隨后發(fā)生車禍。經(jīng)醫(yī)生搶救逃過(guò)死劫，卻找不到心跳。此時(shí)她被劫走，醒來(lái)后身處在地下密室，研究失魂者的胡教授解釋余燕會(huì)失去魂魄，是因?yàn)閮?nèi)心有強(qiáng)烈的負(fù)面磁場(chǎng)，一旦受到?jīng)_擊，靈魂就會(huì)脫離身體。余燕需要在72小時(shí)內(nèi)把自己的靈魂找回來(lái)，才能夠恢復(fù)正常。