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莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman瘋狂的八人幫
迪娜·邁耶,喬治·紐伯恩,奇?!跔柶?Dan DeLuca,弗蘭克·威利異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga地獄迪斯科
Soni Bringas,Stephen Ruffin,海倫妮·尤迪總統(tǒng)的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj導(dǎo)演精選
少林傳人
野心勃勃的九王爺(白彪 飾)企圖謀權(quán)篡位,落敗的皇帝(艾飛 飾)命令兩名侍衛(wèi)將兩個皇子分別抱走,以延續(xù)皇家血脈。大太子(狄龍 飾)被送到了少林寺,三個瘋瘋癲癲的和尚收留了他,替他取名道行,傳授其武功。二太子(爾冬升 飾)則被丞相(谷峰 飾)收為義子,改名為王子泰?! ∞D(zhuǎn)眼多年過去,某日,王子泰來到了少林寺,偶然遇見了道行,盡管他們彼此都不知道對方的身份和身世,但兩兄弟還是一見如故,很快就結(jié)下了堅實的友誼。九王爺買通了寺廟內(nèi)的僧人,想要將道行和王子泰斬草除根,無奈之中,兩人逃出了少林,踏上了充滿危險的未知之旅。
阿提克斯研究所
20世紀50、60年代,亨利·韋斯特博士(威廉·麥鮑瑟 William Mapother 飾)創(chuàng)建了靈學(xué)實驗室阿提克斯研究所,針對超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開研究。雖然遭遇了無數(shù)的挫折與嘲笑,但是韋斯特博士仍堅持不懈朝著目標前進。1975年,他的實驗室因某起騙局而被迫關(guān)閉,就在此時一個略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德(萊亞·吉斯特德 Rya Kihlstedt 飾)被送到實驗室。她之前因傷而擁有了超能力,而其看似貨真價實的超能力迅速令見多識廣的科學(xué)家們大為折服。在這一過程中,朱迪思的能力不斷加強,甚至已經(jīng)到了失控的程度?! ∵@已遠遠超出了超能力的范疇,謎團背后惡魔的身影時隱時現(xiàn)……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.