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劇情簡(jiǎn)介
一家三代六口人的性生活:最小的兒子在課堂上手淫錄像,被老師抓??;大兒子和女兒都和對(duì)象性生活和諧;父親經(jīng)常買避孕套,夫妻性生活豐富;獨(dú)居的老爺子每月固定招妓,最終馬上風(fēng)。故事不是很強(qiáng),但很暴露,法國(guó)人夠狠的。
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甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書(shū)雅,蔣雯旭,米熱,于山川人氣佳作
失認(rèn)癥
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克林特·伊斯特伍德,弗雷迪·瓊斯,大衛(wèi)·赫夫曼反恐疑云
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導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不被愛(ài)也沒(méi)關(guān)系
本片是一部以大學(xué)生宮田陽(yáng)彩(南沙良 飾)為主角的“青春逃亡故事”。陽(yáng)彩一邊上學(xué),一邊從早到晚忙于打工和家務(wù)。雖然母親并未對(duì)她施加暴力,但她一直被母親口中的“愛(ài)”束縛著,在這種溫柔卻令人窒息的絕望和對(duì)人生的失落感中度日。她定期給母親送錢,照顧她,卻始終感受不到真正的自由和幸福。某天,陽(yáng)彩在打工的地方邂逅了同班同學(xué)江永雅(馬場(chǎng)富美加 飾)。這次相遇,悄然改變了陽(yáng)彩的人生軌跡。
ST紅與白的搜查檔案電影版
國(guó)際大都會(huì)日本東京,光天化日之下發(fā)生了性質(zhì)極其惡劣的搶劫案。某個(gè)十字路口發(fā)生詭異的交通事故,科學(xué)搜查班(ST)的各位順藤摸瓜查清了事故的始作俑者——天才黑客鏑木徹(中山裕介 飾)。但是ST的領(lǐng)導(dǎo)者赤城左門(藤原龍也 飾)面對(duì)眾人對(duì)鏑木的指控閃爍其詞,他支開(kāi)百合根友久(岡田將生 飾),獨(dú)自前往鏑木的住所。未久,鏑木葬身火海,而赤城作為重要嫌疑人被同僚拘捕。青山翔(志田未來(lái) 飾)、結(jié)城翠(蘆名星 飾)、黑崎勇治(漥田正孝 飾)、山吹才藏(三宅弘城 飾)等手下自然不會(huì)相信赤城的認(rèn)罪供詞,他們想方設(shè)法要查清真相,而百合根更為此故意犯罪進(jìn)入拘留所,試圖近距離聽(tīng)取赤城的心聲。而就在關(guān)鍵時(shí)刻,赤城越獄逃亡…… 本片根據(jù)今野敏的原作改編。