密室中的少女

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　《在斷崖下》：青年蒲岡大輝（伊藤淳史 飾）將車停在懸崖旁和女友幽會(huì)，突然一股神秘的力量將汽車推向懸崖；《6號(hào)房間》：女高中生久保有紗（堀北真希 飾）和長(zhǎng)澤美奈子等朋友去唱卡拉OK，自從她們使用過(guò)詭異的6號(hào)房間后，美奈子就變得分外怪異；《不可思議的時(shí)間》：為了趕上即將進(jìn)行的世界杯比賽轉(zhuǎn)播，小職員白石大吾（平岡祐太 飾）匆匆搭上一輛計(jì)程車，卻在很短的時(shí)間內(nèi)經(jīng)歷了一段漫長(zhǎng)的旅程；《四疊半的貴婦人》：森三中的大島美幸買到一只精致的茶杯，隨茶杯一同來(lái)到她家的還有一個(gè)身穿洋裝的貴婦人；《體驗(yàn)者》：市場(chǎng)調(diào)研人員今泉誠(chéng)一（高島政伸 飾）在某超市調(diào)查期間，發(fā)現(xiàn)店員似乎正被某個(gè)看不見的女人所侵?jǐn)_；《病棟的絨毛玩具》：某所醫(yī)院有一只泰迪熊毛絨玩具，所有把玩它的老人都回去世。

曾經(jīng)為國(guó)家而戰(zhàn)的男人，如今必須對(duì)抗來(lái)自內(nèi)部的敵人，才能守護(hù)自己的家園與家人。

　　城市最大的參行被盜，價(jià)值千萬(wàn)的野山參瞬間下落不明。推銷員馬有才事事都晚半拍，他為籌集一筆資金，鋌而走險(xiǎn)變成了一個(gè)空有盜竊名頭的盜竊人。主犯“獨(dú)眼”處心積慮想把同伙滅口卻不幸喪命。蕭文欲在盜竊人參計(jì)劃中獲利，卻偶遇苦尋的女友的未婚夫曹豐。案件在警官許峰的層層追查下更加撲朔迷離。人性的深情相付和鋌而走險(xiǎn)，讓所有人的關(guān)系和命運(yùn)錯(cuò)綜復(fù)雜......