二女初次曖昧服務(wù)

　　單純善良的女主人公（陳夢曦）踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公（陸晨）對陳夢曦一見鐘情，因為李子軒是陳夢曦的同桌，而且他與陳夢曦、梁燕形影不離，所以陸晨對李子軒有意見。陸晨與他朋友們經(jīng)常整蠱欺負李子軒，一次在操場上陸晨和他朋友一起把李子軒給揍了。善良樂于助人的陳夢曦與梁燕知道后，決定幫助他們化解矛盾，通過接觸與了解，陸晨與李子軒及陳夢曦、梁燕之間的友誼逐漸形成。一天晚上，梁燕去參加朋友的生日晚會后，被人綁架了，陸晨與陳夢曦、李子軒及他的幾個朋友拿錢去解救梁燕，他們與劫匪打了起來，他們?nèi)勘唤俜舜虻梗P(guān)鍵時刻，班主任帶保安隊長來到，經(jīng)過一番激烈搏斗，最終保安隊長制服了劫匪。

本片改編自足立紳同名小說，電影版是包括未公開場景的導(dǎo)演剪輯版本。年過40卻依然不受歡迎的編劇、沒有收入的廢柴丈夫·柳田豪太（風(fēng)間俊介 飾），與吃軟飯一樣的丈夫和兒子一起維持生活、拒絕丈夫的邀請、還破口大罵的可怕妻子·柳田千花（MEGUMI 飾），兩人之間展開了又笑又哭的夫婦故事。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster