長今的性愛花園
該劇與《大長今》一樣，都是以16世紀的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV?！倍谱鳌洞箝L今》的韓國MBC電視臺表示會采取法律措施來追究此事。MBC電視臺一名負責(zé)人稱：“當我們得知這件事情的時候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴重損害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。
劇情簡介
該劇與《大長今》一樣，都是以16世紀的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV。”而制作《大長今》的韓國MBC電視臺表示會采取法律措施來追究此事。MBC電視臺一名負責(zé)人稱：“當我們得知這件事情的時候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴重損害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。
為你推薦
惡戰(zhàn)2025
Alfredo Cleto Batista,Carl Bruchh?user,Holger Ebert活到最後才有繼承權(quán)資格…背叛、猜疑和貪婪交織！一場災(zāi)難性的運鈔行動後，三噸貨物運抵目的地，但所有現(xiàn)金卻不翼而飛，幫派內(nèi)部一片混亂。老大身亡，死於內(nèi)部背叛和謀殺，幫派的得力幹將克萊奧挺身而出，誓要揭開真相，隨著真相逐漸浮出水面，一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網(wǎng)也隨之浮現(xiàn)。
埃塞爾阿姨的萬圣節(jié)
Chris Cavalier,Melissa Daddio,西恩·邁克爾·格洛里亞,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost鎮(zhèn)上的每個人都知道老阿姨埃塞爾的故事。據(jù)說她在孩子們的家里制作萬圣節(jié)糖果和南瓜派。埃塞爾姨媽真的是一個有孩子味道的精神病例嗎？這個萬圣節(jié)，鄰居青少年將找出真相。他們?yōu)榘Ｈ麪栆虌寽蕚淞艘恍┨貏e的東西。這可能只是某人的最后一個萬圣節(jié)。
喜馬拉亞星
鄭中基,張柏芝,劉青云,應(yīng)采兒,吳鎮(zhèn)宇,黃又南,徐天佑,李兆基,黃光亮,成奎安在喜瑪拉雅山長大的亞星（鄭中基）練有一身瑜伽好功夫，某日奉父母之命下山參加印度西施家族舉辦的瑜伽選夫比賽的途中，被恨嫁的大家姐（應(yīng)采兒）纏住。為了阻止亞星參加比賽，大家姐想出把他變成人見人厭的壞小子的狠招，不想聯(lián)合三大惡人也沒能將亞星改變，不甘心之下，大家姐又找來以壞混世的大膽叔叔（吳鎮(zhèn)宇）?！ 】上Т竽懯迨迮c朋友驚青舅父（劉青云）及其兩個外甥已不幸被印度催眠術(shù)催眠，連自己是誰都不再曉得，然而亞星總算找到了領(lǐng)門人，賭場的兩頭神蛇把他教成了沉迷于賭博和吸毒的壞小子，此時，大家姐發(fā)現(xiàn)還是原來的亞星比較好，決定陪其一同喝下“印度神奇油”回到從前。
死亡回放
海莉·畢曉普,阿默·查達·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普在遭遇一場致命的入室犯罪時，這名瑜伽老師的一生在眼前閃現(xiàn)，她因此拼命穿越回過去，拯救深愛的男子。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器，卻意外地發(fā)現(xiàn)這臺儀器擁有強大的商業(yè)價值，最終四人相互爭斗的局面。《雷管》是導(dǎo)演什恩-卡魯斯(ShaneCaruth)首次執(zhí)導(dǎo)的劇情長片，該片由他自己投資，并身兼編劇、導(dǎo)演、主演數(shù)職，體現(xiàn)出獨立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當于一輛富康車的價錢……
韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在因母親染病，青年李恩洙（千正明 飾）驅(qū)車向家中趕去，但中途遭遇車禍，翻到路邊。當他從昏迷中醒來時，發(fā)現(xiàn)眼前站著一個有如天使般的女孩子（沈恩京 飾）。在這個名叫英姬的女孩的引導(dǎo)下，恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發(fā)現(xiàn)，如此美好的童話所在竟成為永遠無法逃離的樊籬…… 本片榮獲2009年葡萄牙奇幻國際電影節(jié)評委會特別獎。