劇情縱覽
破裂的日本經(jīng)濟(jì),清純小人妻面對幼稚的丈夫無法承擔(dān)公司業(yè)務(wù)的損失....
破裂的日本經(jīng)濟(jì),清純小人妻面對幼稚的丈夫無法承擔(dān)公司業(yè)務(wù)的損失....
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
Five haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…
弘治七年,皇上在全國范圍內(nèi)大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險(xiǎn)的夜路,遂互稱姐妹,共赴皇宮?! τ谏倥畟儊碚f,如果成功當(dāng)選皇妃,無論富貴貧賤都可飛上枝頭當(dāng)鳳凰,自然競爭激烈,條件也很苛刻。不光自身?xiàng)l件要好,還要經(jīng)過嚴(yán)格的培訓(xùn)與層層考試。但更加殘酷其實(shí)是她們各自之間的勾心斗角、爾虞我詐?! ∶鎸ΨN種的困難與危險(xiǎn),鴛鴦與珠珠能否闖過難關(guān)?而面對這殘酷的競爭,她們的友情是否會改變呢?
20年前,社會主義國家南斯拉夫解體,奉行主義的更迭并未改變東歐這片多災(zāi)多難土地的命運(yùn)。戰(zhàn)火持續(xù),人民罹難。時至今日,硝煙仍未從這里散去。卡蘿爾(祖兒·費(fèi)利克斯 Zoé Félix 飾)、馬提亞(埃瑞克·薩文 Eric Savin 飾)、薩米爾(Arié Elmaleh 飾)是來自法國的救援小組成員。在完成任務(wù)后,他們驅(qū)車返回祖國。然而必經(jīng)之路上有士兵把守,為了不浪費(fèi)時間,薩米爾建議抄小路前進(jìn)。這一決定將他們引入一條黑暗之途,行至半路,三人被一群全副武裝的不明身份者綁架。在此后的數(shù)日內(nèi),他們?nèi)魂P(guān)在不見天日的籠子里?! τ趯Ψ降膭訖C(jī)卡蘿爾他們?nèi)徊恢挥袩o盡的恐懼伴隨左右,而死神的腳步也在慢慢逼近……