美女獻(xiàn)身
淑惠丈夫經(jīng)營(yíng)的公司倒閉, 積欠大筆債務(wù), 多位債主催錢不成, 於是建議將其妻淑惠, 強(qiáng)硬擄押到某店出賣肉體接客抵債. 此時(shí)淑惠委託1位女子安排賣淫工作, 其間有位恩客阿亮, 正是嫖客之1.阿亮矮小貌丑, 根本交不到女友, 看到漂亮的淑惠, 被她迷的瘋狂, 但淑惠不愿與丑陋的阿亮為友, 前次是為了賺錢不能不上床茍和, 1次春風(fēng)后, 即極力謝絕并回避再見阿亮.阿亮是由其姊(乾姐)扶養(yǎng)長(zhǎng)大, 就是因?yàn)榘⒘劣袕?qiáng)健堅(jiān)挺的陽(yáng)具, 超強(qiáng)做愛技能, 夜夜能讓她享受性愛的爽快刺激, 淫蕩快感, 故阿亮以此優(yōu)越性力本能, 要其姊安排他和淑惠再次幽會(huì), 交換多次與其姊不倫性交的條件.后來淑惠完全迴避阿亮的尋求, 阿亮就以「要公布他倆的姦情, 讓她丈夫→聲名狼藉」為要挾, 寧死也要延續(xù)和淑惠交往作愛.... 淑惠終於受不了這類痛苦騷擾, 向丈夫流露實(shí)情, 終得丈夫體諒, 夫妻共同設(shè)下圈套, 使阿亮姊弟得到悲慘結(jié)局.....
劇情簡(jiǎn)介
淑惠丈夫經(jīng)營(yíng)的公司倒閉, 積欠大筆債務(wù), 多位債主催錢不成, 於是建議將其妻淑惠, 強(qiáng)硬擄押到某店出賣肉體接客抵債. 此時(shí)淑惠委託1位女子安排賣淫工作, 其間有位恩客阿亮, 正是嫖客之1.阿亮矮小貌丑, 根本交不到女友, 看到漂亮的淑惠, 被她迷的瘋狂, 但淑惠不愿與丑陋的阿亮為友, 前次是為了賺錢不能不上床茍和, 1次春風(fēng)后, 即極力謝絕并回避再見阿亮.阿亮是由其姊(乾姐)扶養(yǎng)長(zhǎng)大, 就是因?yàn)榘⒘劣袕?qiáng)健堅(jiān)挺的陽(yáng)具, 超強(qiáng)做愛技能, 夜夜能讓她享受性愛的爽快刺激, 淫蕩快感, 故阿亮以此優(yōu)越性力本能, 要其姊安排他和淑惠再次幽會(huì), 交換多次與其姊不倫性交的條件.后來淑惠完全迴避阿亮的尋求, 阿亮就以「要公布他倆的姦情, 讓她丈夫→聲名狼藉」為要挾, 寧死也要延續(xù)和淑惠交往作愛.... 淑惠終於受不了這類痛苦騷擾, 向丈夫流露實(shí)情, 終得丈夫體諒, 夫妻共同設(shè)下圈套, 使阿亮姊弟得到悲慘結(jié)局.....
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短暫的戀情
瓦萊麗亞·戈利諾,皮拉爾·福格莉亞蒂,阿德里亞諾·吉安尼尼,塞萊涅·卡拉馬扎,茱莉雅·蒙薩,Cristian Stelluti故事講述了Lea在酒吧遇到Rocco并成為他的情人的故事。他們的秘密戀情僅限于酒店房間，當(dāng)李開始滲透到羅科的生活中，超越了他們的秘密遭遇時(shí)，他們的關(guān)系發(fā)生了險(xiǎn)惡的轉(zhuǎn)折。
養(yǎng)鬼吃人5：直闖地獄
洛杉磯警探喬瑟夫（克萊格·謝菲爾 飾）是個(gè)標(biāo)準(zhǔn)敗類，嗑藥嗑得比誰(shuí)都勤快，調(diào)查命案不忘順手牽羊，更枉顧家中妻小，專搞迷人可愛的阻街女郎。一宗幼童謀殺案現(xiàn)場(chǎng)，喬瑟夫撿回一只受過詛咒的奇異盒子，打開后怪事不斷一樁接一樁：昨夜搞上的妓女意外身亡，他瞬間成為頭號(hào)嫌疑犯；一連串似幻似真的恐怖體驗(yàn)更不斷尾隨，無臉怪人四處追殺人群，《養(yǎng)鬼吃人》系列當(dāng)家猛鬼－針頭鬼（Pinhead）也重出江湖，一個(gè)頭兩個(gè)大的喬瑟夫該如何解決這謎一般的虛實(shí)夢(mèng)魘？本片改編自克里夫巴克（Clive Barker）恐怖小說「受地獄羈絆之心」The Hellbound Heart，這顆壞心腸的主人正是故事男主角喬瑟夫，身為警察的他自身行為不檢點(diǎn)也罷，涉嫌謀殺難以脫罪的他竟然嫁禍好同事，善惡終有報(bào)，惡徒喬瑟夫果然陷入萬劫不復(fù)的魔鬼夢(mèng)魘，活著比死更痛苦。
養(yǎng)鬼吃人8：地獄世界
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
商戰(zhàn)街
Saif Ali Khan,Radhika Apte,Chitrangda Singh這是一部關(guān)于股票交易的影片，處處流露著金錢和欲望，一個(gè)草根鳳凰男逆襲的故事。男主出生并成長(zhǎng)在印度的一個(gè)小山村里。男主一心夢(mèng)想前往孟買，去為自己的偶像（一位金融大鱷）去打工。金融大鱷亦是貧寒出身但卻成功逆襲的典范。男一號(hào)發(fā)誓要成為像該金融大鱷一樣的成功男士。男一號(hào)憑借自己 的努力和對(duì)機(jī)遇的掌控，在一年時(shí)間內(nèi)，成為該金融大鱷最得力的助手。一時(shí)間，賓利，私人飛機(jī)，游艇都已是囊中之物；順便，男一號(hào)再抱得美人歸。然而，一切的成功都來的太突然。男一號(hào)殊不知自己只不過是金融大鱷的傀儡。而漂亮的女友也只不過是金融大鱷的情婦而已。擺在男一號(hào)面前有兩條路。是接受金融大鱷所給的上億支票繼續(xù)為奴，還是推倒金融大鱷，自己徹底翻身？
沖動(dòng)
芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。