飄零雙燕

評分:8.4 播放:62萬 更新:2026-04-27

從小就被分開的孿生姊妹,長大后一個(gè)在馬賽一個(gè)在葡萄牙海岸小鎮(zhèn),生活各不相干。她愛上的是一個(gè)女人,她則情迷劇院中的神秘男人。在迥異的環(huán)境中,相隔千里,竟是共同對母性的向往,對歌劇的沉迷,甚至是對愛的執(zhí)著。跟母親命運(yùn)巧合的宿命,把陌生的兩姊妹連成一線,悲劇告終。   

影片推薦

同類精選

藍(lán)月亮2025

伊?!せ艨?瑪格麗特·庫里,鮑比·坎納瓦爾,安德魯·斯科特,西蒙·德蘭尼,約翰·多蘭,帕特里克·肯尼迪,喬納·利斯,伊雷恩·奧德懷爾,艾斯林·奧馬拉,基利安·沙利文,丹尼爾·米克·瑞恩,伊恩·迪龍

惡夢偵相

Yalitza Aparicio

布偶秀50周年特別節(jié)目

塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito

尸骨袋2

皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗

夜逃屋本鋪2

中村雅俊,高木美保,益岡徹,中島陽典,風(fēng)間杜夫,松居一代,中山忍,余貴美子

萬圣節(jié)傳說

波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達(dá)納·古爾德

影視排行

假面復(fù)仇

Marco Giallini,Edoardo Leo,Catrinel Marlon

  騙子離開大衛(wèi)破產(chǎn),失業(yè)& -他的女朋友。所以他開始找到騙子但是復(fù)仇并不是在他的腦海中。

女孩白日夢

鄭筠熹,尤柏耘,鄭景文,古峰

畢業(yè)在即,陳莉莉這位志向成為小說家的學(xué)生正努力克服拖延,面對現(xiàn)實(shí)與夢想的交錯(cuò),她能否完成自己的小說,勇敢邁向新生活?

窮養(yǎng)攻略2

米洛斯·比柯維奇,帕維爾·杰列維揚(yáng)科,阿格拉婭·塔拉索娃,奧爾加·迪布采娃,瑪麗亞·米羅諾娃,伊萬·阿赫洛貝斯金,亞歷山大·斯莫勒克,索菲婭·扎伊卡,基里爾·納吉耶夫,Dmitry Belyakin,Olivier Siou,Andrey Malakhov,娜塔莉亞·羅戈日金娜,彼得·布斯洛夫,Viki Odintcova,Sergey Shestepyorov,Sergey Rozhnov,埃利扎維塔·洛托娃,Kseniya Stoyakova,Sergey Gabrielyan

  格里沙,這個(gè)曾經(jīng)被寵壞的孩子,原本是一個(gè)農(nóng)奴。但在經(jīng)歷了一次追溯“過去”的旅程后,他蛻變成了一個(gè)真正的男人,對任何形式的不公正都極為敏感。然而,他始終無法擺脫被寵壞的卡蒂婭所帶來的無禮和無法無天。也難怪,這個(gè)曾經(jīng)被寵壞的女孩很快就發(fā)現(xiàn)自己置身于一個(gè)截然不同的時(shí)代。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.