我姐姐是一個夜話作家

★ 0.2 播放：90萬 更新：2026-05-05
主演：?? 李采潭 ??? 李秀 

引誘她弟弟和愛她的弟弟的妹妹，兄弟姐妹的禁戀開始了?再婚的尚哲和慶美都有自己的兒子何永。我有一個女兒靜延貞妍是一位故事作家，她年輕時的外貌與他不符，她是位充滿熱情的女人，她竭盡所能來寫作。從母親的再婚中看到浩英之后靜延決定小說的主題為兄弟姐妹的禁忌作為獨生女兒我感覺不到他試圖勾引同父異母的兄弟弟弟何永，并用自己的感情來寫作。由于靜延的誘惑，Hoyoung說他無法愛上要成為姐姐的人。貞妍拒絕放棄她的誘惑。最終，孝英逐漸陷入了靜延的誘惑，靜妍根據她在Hoyoung的經驗成功撰寫了一個故事。不知道她目的的何永真的很喜歡鄭妍妍。兄弟姐妹的未來會怎樣？

在線播放

劇情簡介

引誘她弟弟和愛她的弟弟的妹妹，兄弟姐妹的禁戀開始了?再婚的尚哲和慶美都有自己的兒子何永。我有一個女兒靜延貞妍是一位故事作家，她年輕時的外貌與他不符，她是位充滿熱情的女人，她竭盡所能來寫作。從母親的再婚中看到浩英之后靜延決定小說的主題為兄弟姐妹的禁忌作為獨生女兒我感覺不到他試圖勾引同父異母的兄弟弟弟何永，并用自己的感情來寫作。由于靜延的誘惑，Hoyoung說他無法愛上要成為姐姐的人。貞妍拒絕放棄她的誘惑。最終，孝英逐漸陷入了靜延的誘惑，靜妍根據她在Hoyoung的經驗成功撰寫了一個故事。不知道她目的的何永真的很喜歡鄭妍妍。兄弟姐妹的未來會怎樣？

導演精選

坐白車的女人

此劇是以三位女人為中心展開的懸疑驚悚劇。                                                                      　　鄭麗媛劇中飾演渾身是血，打開案件中心的主人公都京一角，她比誰都隱藏著沉重的秘密。

假面復仇

　　騙子離開大衛(wèi)破產,失業(yè)& -他的女朋友。所以他開始找到騙子但是復仇并不是在他的腦海中。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.