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馬爾切洛·埃爾南德斯:美國(guó)男孩
馬爾切洛·埃爾南德斯賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比與祖國(guó)同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文我的寶貝2
梅拉達(dá)·素斯麗,蘇提拉克·素維杰拉,查盧彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng牙狼大河
北田祥一郎,神嶋里花,波岡一喜,ひょうろく,肥後克広,瀨戶利樹,影山浩宣,大西雅樹同類推薦
嘎啦
瑪菲司,儲(chǔ)榢逸,李恩佑,徐灝翔直播主瑪菲司一家抵達(dá)即將開幕的度假村舉辦活動(dòng),然而他們從未料到,迎接他們的竟是恐怖的降臨。為了揭開真相,阿序和好友天仁召集了一群網(wǎng)友,再次前往度假村探險(xiǎn),并希望通過這次探險(xiǎn)在網(wǎng)絡(luò)上獲取流量。殊不知,他們即將卷入一場(chǎng)自1960年延續(xù)至今、從未停止過的邪惡祭典。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛情儲(chǔ)蓄罐
宋仲基,韓藝瑟,李相燁,申素率智雄(宋仲基 飾)大學(xué)畢業(yè)后便整日游手好閑。某天他認(rèn)識(shí)了從對(duì)面天臺(tái)跳過來?yè)炱孔拥墓峙思t實(shí)(韓藝瑟 飾)。守財(cái)如命的紅實(shí)盯上了智雄住所的搬遷費(fèi),她暗中找到智雄的房東,把租房合同改到自己名下,令智雄無家可歸。看到對(duì)方依舊樂觀的樣子,受到觸動(dòng)的紅實(shí)承諾幫助他在短期內(nèi)攢到巨款。毫不知情的智雄對(duì)紅實(shí)的“善心之舉”懷抱感激。他開始學(xué)習(xí)無條件聽從紅實(shí)的命令,但是時(shí)常暴露的敗家本性又總會(huì)惹惱紅實(shí)?! 〖t實(shí)雖然異常吝嗇,內(nèi)心深處卻也有著女人的夢(mèng)想。她把辛苦攢到的錢交給意中人(李相燁 飾)托管,期望有一天能成為配得上對(duì)方的好女人。卻不料一日意中人與情人攜款逃跑,令紅實(shí)深受打擊。而智雄也終于得知當(dāng)初無家可歸的內(nèi)幕,感到被利用的他是否會(huì)原諒紅實(shí)?
夏日書局
王璐“廢柴”大齡男人顧大池繼承了父親的“遺產(chǎn)”:一家破二手書店。他決定用一個(gè)夏天把書店變現(xiàn),由此認(rèn)識(shí)了復(fù)讀女孩蔡小心,他們整理書賣書,把面包車改成“移動(dòng)書房”上路,直到發(fā)現(xiàn)了父親藏在書里的“寶藏”……很快,夏天就這么過去了。
拼桌
王傳君,江疏影,李雪琴,鄭云龍,傅首爾,劉佳,王彩平,杜家毅,吳冕,白舉綱,老四,田小潔,羅海瓊,齊溪,許齡月,葵葵對(duì)美食有著獨(dú)特見解的“碼農(nóng)”陸拾谷(王傳君 飾),與經(jīng)常用美食治愈生活的圖書編輯張嘉怡(江疏影 飾),因午飯時(shí)的拼桌意外結(jié)識(shí),在一起尋找更多美味的經(jīng)歷下,兩人逐漸成為彼此味覺和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作,可心中卻翻涌著無限波濤,張嘉怡的圖書編輯工作、感情生活紛紛遇到瓶頸,在都市的煙火氣,牛馬打工人的迷茫中,拾谷與嘉怡最終會(huì)在味蕾與真心的指引下如何完成自我的成長(zhǎng)?二人間又會(huì)產(chǎn)生怎樣宿命般的羈絆?一道色香味俱全的真香菜肴只待觀眾“嘗鮮”!