裸
在位于新瀉的田園鄉(xiāng)間，18歲的漂亮女孩shan瀨廣美（渡辺奈緒子 飾）結(jié)束了高中學(xué)業(yè)，她和侽友英介攜手前往崬 京闖蕩。平日里廣美做著一份穩(wěn)定的機(jī)場(chǎng)地勤工作，但是她的心中始終懷有一個(gè)演員的夢(mèng)想。間或機(jī)緣，她在街頭邂逅了娛樂公司的經(jīng)紀(jì)人夏本正人（光石研 飾），不曾想對(duì)方竟是一家iV公司的負(fù)責(zé)人。經(jīng)過一番考慮，廣美決定以拒拍iV為底線，正式進(jìn)入這家公司。隨著極度誘惑的平面寫真的流行，廣美慢慢積攢著人氣，同時(shí)也遭到來(lái)自英介和家鄉(xiāng)好友的壓力。而在一過程中，她離那條底線也越來(lái)越近 hellip; hellip; 本片依據(jù)iV女星美廣（Mihiro）的自傳改編，美廣本人亦在片中出演了角色。
即刻觀影
劇情賞析
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牙仙歷險(xiǎn)記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴(yán)苛傳統(tǒng)的世界。在一次冒險(xiǎn)中，他遇見了世界上最可愛的小巨魔，以及擁有科學(xué)天賦、勇敢無(wú)畏的小妖精。三個(gè)小小生物從此展開旅程，努力聯(lián)合各自的王國(guó)，同時(shí)躲避心懷不軌、蠢蠢欲動(dòng)的蜘蛛威脅。
心之高歌
Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西作為聾人家庭唯一能聽見聲音的成員，含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦，她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。
采石場(chǎng)的圣母
Dolores Oliverio,Luisa Merelas,費(fèi)爾南達(dá)·埃切瓦里亞·德爾·里韋羅,達(dá)迪·布列瓦,Agustín Dalmasio Sosa2001年阿根廷社會(huì)動(dòng)蕩的盛夏，布宜諾斯艾利斯郊區(qū)的三個(gè)少女閨蜜，都對(duì)發(fā)小迭戈暗藏情愫。迭戈與成熟女性西爾維婭相戀后，少女納塔莉亞在祖母的幫助下，對(duì)二人施下黑魔法詛咒。失控的詛咒引發(fā)超自然災(zāi)難，將所有人拖入采石場(chǎng)湖的黑暗深淵，青春期的嫉妒與欲望，在南美社會(huì)的創(chuàng)傷背景下，演變成一場(chǎng)無(wú)法逆轉(zhuǎn)的致命危機(jī)。
命運(yùn)之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風(fēng)、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書--命運(yùn)之書。黑暗籠罩了大地，需要借助筆和書的力量，但這本書卻失蹤了，人們以為它永遠(yuǎn)消失了，但數(shù)百年后卻又再度出現(xiàn)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天機(jī)秘錄
影片講述了天機(jī)門被懸刃衛(wèi)以通敵叛國(guó)罪滅門后，氣劍宗葉梵星受父命潛入懸刃衛(wèi)查探真相，并與天機(jī)門唯一幸存者夏璃月相遇，二人共同揭露背后陰謀，誅殺叛徒并守護(hù)家國(guó)的故事