暗里著迷

★ 9.0 播放:85萬(wàn) 更新:2026-04-29

一個(gè)女人目睹了一樁命案暫無(wú)內(nèi)容暫無(wú)內(nèi)容可惜真正的殺人兇手就是.......卡羅維發(fā)利

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劇情簡(jiǎn)介

一個(gè)女人目睹了一樁命案暫無(wú)內(nèi)容暫無(wú)內(nèi)容可惜真正的殺人兇手就是.......卡羅維發(fā)利

導(dǎo)演精選

安身何處

  Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.

惡徒2025

一名19歲的罪犯湯米(Tommy)被一對(duì)功能失調(diào)的夫婦克里斯(Chris)和凱瑟琳(Kathryn)綁架,并被迫接受他們的“改造計(jì)劃”,試圖將他塑造成一個(gè)“好男孩”。湯米必須設(shè)法逃脫。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster