獨(dú)特的愛(ài)

★ 4.0 播放：73萬(wàn) 更新：2026-04-24
主演：?? ?? ??? ??? 

每天經(jīng)常躺在房間第一排或坐在房間第一排的白九，似乎有些猥褻。在去便利店的路上，一天中唯一的一次郊遊，他不小心遇到了瑞英。和我一起在農(nóng)村長(zhǎng)大的姐姐徐英被分配到村裏唯一的小學(xué)任教。回憶起舊時(shí)經(jīng)常見(jiàn)面的白九意識(shí)到徐英身上有難以言喻的痛苦和傷疤，白九壯觀而充滿(mǎn)活力的愛(ài)情鬥爭(zhēng)開(kāi)始了。

在線播放

劇情簡(jiǎn)介

每天經(jīng)常躺在房間第一排或坐在房間第一排的白九，似乎有些猥褻。在去便利店的路上，一天中唯一的一次郊遊，他不小心遇到了瑞英。和我一起在農(nóng)村長(zhǎng)大的姐姐徐英被分配到村裏唯一的小學(xué)任教。回憶起舊時(shí)經(jīng)常見(jiàn)面的白九意識(shí)到徐英身上有難以言喻的痛苦和傷疤，白九壯觀而充滿(mǎn)活力的愛(ài)情鬥爭(zhēng)開(kāi)始了。

導(dǎo)演精選

圍困

　　該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇?chē)У木虐偬?，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。

德?tīng)柼K·烏扎拉

 這是一部極為出色的關(guān)于人與自然的電影。1902年和1907年，沙俄軍官阿爾謝尼耶夫兩次率領(lǐng)勘探隊(duì)到烏蘇里地區(qū)探險(xiǎn)，都巧遇赫哲族老獵手德?tīng)柼K·烏扎拉。德?tīng)柼K.烏扎拉為勘探隊(duì)充當(dāng)向?qū)В⑼炀攘税栔x尼耶夫的生命，與之建立了深厚的情誼。德蘇對(duì)大自然相當(dāng)了解與尊重，藉由他的示范 與見(jiàn)解，讓人們了解大自然的偉大與殘酷，人是可以與大自然和平相處，但當(dāng)大自然被破壞時(shí)，人們將是第一個(gè)遭殃。德蘇是一個(gè)神槍手，但后來(lái)在一次打獵時(shí)，德蘇發(fā)現(xiàn)自己的眼睛因?yàn)樯眢w衰老而退化，看不清獵物了，十分沮喪。他隨阿爾謝尼耶夫到大城市伯力居住。但是，城市文明德蘇卻無(wú)法習(xí)慣，城市和他過(guò)去賴(lài)以生存的地方，那片純樸的自然大地是完全不同的。獵人離開(kāi)槍?zhuān)x開(kāi)了他所熟悉的環(huán)境，仿佛魚(yú)兒離開(kāi)了水?！俺抢餂](méi)法狩獵，不狩獵就沒(méi)有貂”“我突然想念空氣?！彼笫潜磺艚艘话?，悶悶不樂(lè)。德蘇執(zhí)意回到山里，回到那片密林。但是，獵人沒(méi)有好的視力，便是最大的悲劇。獵人不能獵殺，自己便被會(huì)獵殺。勇敢的德蘇雖然帶著阿爾謝尼耶夫送給他的新獵槍?zhuān)撬麉s死了……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster