法國作家joy

? 4.4 播放：33萬 2026-05-03
主演：Brandy.Davis 

JOY，是法國作家JOY LAUREY，於上個世紀(jì)80年代初期創(chuàng)作的一系列半自傳的情愛小說。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字，主人公是一個美法的混血超模，她周遊世界開始她的情慾冒險(xiǎn)里程。小說出版的2年後，製片人BENJAMIN SIMON買下了小說的版權(quán)。將故事班上了銀幕。 　　

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劇情提要

JOY，是法國作家JOY LAUREY，於上個世紀(jì)80年代初期創(chuàng)作的一系列半自傳的情愛小說。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字，主人公是一個美法的混血超模，她周遊世界開始她的情慾冒險(xiǎn)里程。小說出版的2年後，製片人BENJAMIN SIMON買下了小說的版權(quán)。將故事班上了銀幕。 　　

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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