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阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins這部歷史劇以1945年春季二戰(zhàn)尾聲為背景，聚焦十歲少年南寧。其父遠(yuǎn)征戰(zhàn)場(chǎng)，少年竭盡所能助母養(yǎng)家：獵捕海豹、暗夜捕魚(yú)、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。
我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes父親神秘死亡后，年輕的阿米什女子艾瑪想要體驗(yàn)一些不同的東西，于是，她背著母親瑪麗，在朋友麗貝卡的幫助下，逃到英國(guó)世界去參加朗姆酒聚會(huì)。在那里，她遇到了白馬王子希思，他讓她愛(ài)不釋手。但她與他的夢(mèng)幻約會(huì)被打斷了，因?yàn)樗蚓o急工作被叫到另一座城市。莎拉獨(dú)自留在家里體驗(yàn)現(xiàn)代世界的所有便利設(shè)施，她的生活很快變成了一場(chǎng)噩夢(mèng)，她在廚房發(fā)現(xiàn)了一具尸體，不久之后，被一個(gè)神秘人物打昏?；謴?fù)意識(shí)后，她決定逃回阿米什人的生活并躲起來(lái)，但是當(dāng)偵探敲門(mén)詢(xún)問(wèn)時(shí)，她意識(shí)到她必須自己尋找兇手。
利刃出鞘2
丹尼爾·克雷格,愛(ài)德華·諾頓,加奈兒·夢(mèng)奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達(dá)拉斯·羅伯特斯,伊?！せ艨?休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當(dāng)·達(dá)文波特,詹姆斯·佩頓,杰克·塔珀科技業(yè)億萬(wàn)富翁邁爾斯·布朗（愛(ài)德華·諾頓 飾）邀了幾位感情深厚的摯友到他的希臘私人小島渡假，不料卻有人命喪于此！這座世外桃源原來(lái)并不如想像中美好。命案既出，大偵探布蘭科（丹尼爾·克雷格飾）此時(shí)不出馬更待何時(shí)？且看他如何解開(kāi)重重謎團(tuán)！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
登帕卡農(nóng)
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勇者斗惡龍 你的故事
佐藤健,有村架純,波瑠,坂口健太郎,山田孝之,小林劍道,安田顯,古田新太,松尾鈴木,山寺宏一,井浦新,賀來(lái)千香子,吉田鋼太郎根據(jù)史克威爾的名作RPG《勇者斗惡龍》改編的CG動(dòng)畫(huà)電影《勇者斗惡龍：你的故事》