櫻唇

★ 8.8 播放：17萬(wàn) 更新：2026-05-05

返回從恐怖的戰(zhàn)爭(zhēng)中，一名士兵試圖重新把重點(diǎn)放在他的寫作，但無(wú)濟(jì)于事。當(dāng)他遇到一個(gè)年輕的孤兒的女孩名叫伊娃時(shí)，他發(fā)現(xiàn)自己越來(lái)越多地被吸引到她，但她蓬勃發(fā)展的性取向只是剛剛開始...... 　　

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劇情簡(jiǎn)介

返回從恐怖的戰(zhàn)爭(zhēng)中，一名士兵試圖重新把重點(diǎn)放在他的寫作，但無(wú)濟(jì)于事。當(dāng)他遇到一個(gè)年輕的孤兒的女孩名叫伊娃時(shí)，他發(fā)現(xiàn)自己越來(lái)越多地被吸引到她，但她蓬勃發(fā)展的性取向只是剛剛開始...... 　　

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

嚴(yán)懲

　　闖蕩好萊塢失敗的演員里根·皮爾斯為工作在去往路易斯安那州的一個(gè)小鎮(zhèn)什里夫波特路上，被歹徒綁架至一個(gè)沼澤地附近的小屋，歹徒折磨并威脅他用推特賬戶發(fā)布并上傳妥協(xié)博文，他改如何逃脫困境？

黎明殺祭

暴風(fēng)雪肆虐的圣誕夜，一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營(yíng)的巴洛克劇院，排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身，排練演變?yōu)閼K烈的生存競(jìng)賽。演員們后知后覺地發(fā)現(xiàn)，劇本中的每一幕死亡，都是一場(chǎng)旨在召喚反基督者的古老儀式。