雛妓2015
故事講述于雜志社工作的何玉玲（蔡卓妍飾）花了四個(gè)月時(shí)間完成一篇關(guān)于官商丑聞的報(bào)道，卻基于雜志社利益為由被老總抽稿。意興闌珊的她決定到泰國(guó)清邁散心，在酒吧遇上雛妓Dok-My，玉玲看在眼里心感難受，千方百計(jì)決定將Dok-My救出火海。原來(lái)Dok-My令玉玲憶起自己十多年前的經(jīng)歷，曾經(jīng)被后父性侵而離家出走，令她遇上比她年長(zhǎng)三十年的甘浩賢（任達(dá)華飾）這位長(zhǎng)腿叔叔。展開長(zhǎng)達(dá)八年的不道德交易，她愿意被包養(yǎng)以換取學(xué)位與棲身之所，兩人感情千絲萬(wàn)縷，關(guān)系如父女又如情人般撲朔迷離。
在線看
同款熱播
魂游1871
Sam Groom,Tom Hallick,弗朗辛·約克,布思·科爾曼,理查德·貝斯哈特,Trish Stewart,沃爾特·布魯克,帕特里克·卡利頓,多爾特·克拉克,喬恩·錫達(dá),Gil Lamb,Ed Ness,Kathleen Bracken,理查德·韋伯,Victoria Paige Meyerink美國(guó)爆發(fā)xb疫情,科學(xué)家束手無(wú)策,歷史上曾有人治愈過(guò)該病,無(wú)奈資料被毀,科學(xué)家們只得使用時(shí)間機(jī)器回到過(guò)去尋找,不料卻遇到了1871芝加哥大火災(zāi)。。一部傷感的經(jīng)典科幻片，正大劇場(chǎng)好像播出過(guò)
飛砂風(fēng)中轉(zhuǎn)
鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時(shí)，被一個(gè)開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對(duì)火腩特別照顧，委以重任。找到了保護(hù)傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營(yíng)義盛小館，并盤算讓兒女進(jìn)入名校就讀。正在此時(shí)，金融危機(jī)來(lái)臨，方中信遇到困難，堂主之位不保，此時(shí)他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個(gè)本不想做堂主的后起之秀被架上了PK臺(tái)?；痣钪幌氚残慕?jīng)營(yíng)自己的飯店，而燕子文則希望進(jìn)入大學(xué)進(jìn)修，無(wú)心戀戰(zhàn)的兩人將面臨一場(chǎng)怎樣的對(duì)決呢？
小城犯罪
奧克塔維亞·斯賓瑟,約翰·浩克斯,凱蒂·洛茨,詹姆斯·拉夫爾提,小克利夫頓·克林斯,邁克爾·瓦爾坦,安東尼·安德森,丹尼爾·遜亞塔,戴爾·迪奇,羅伯特·福斯特,巴特·約翰遜,亞當(dāng)·約翰遜,唐·哈維,肖恩·卡里甘奧克塔維亞·斯賓瑟將攜約翰·浩克斯出演獨(dú)立驚悚片《小城犯罪》。電影講述由浩克斯扮演的酗酒前警察偶然發(fā)現(xiàn)一具女尸，并不慎將他的家庭至于危險(xiǎn)之中，他不得不一邊尋找兇手，一邊與惡勢(shì)力作斗爭(zhēng)。該片由內(nèi)爾姆斯兄弟執(zhí)導(dǎo)，目前正在拍攝中。
重大發(fā)現(xiàn)
尼爾·布林,丹妮爾·安德雷德一位計(jì)算機(jī)科學(xué)家/小說(shuō)家與他兒時(shí)的朋友團(tuán)聚，并闖入政府?dāng)?shù)據(jù)庫(kù)，同時(shí)面對(duì)他小時(shí)候所獲得的神秘行為的可怕后果。
月光里的男孩
久美江措,更旦,尕瑪久美,尼瑪頌宋,西然仁杰,尕瑪文加,文秀求珍,達(dá)杰丁增,更卻東周影片講述作家扎西因童年時(shí)一個(gè)關(guān)于狗的“秘密”愧疚多年，直到多年后重返故鄉(xiāng)才意外得知真相，與孩童穿越時(shí)光的生長(zhǎng)痛。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.