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Set on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.
在美國(guó)小鎮(zhèn)一家超市的付款通道中,一個(gè)黑人對(duì)一個(gè)10歲白人小孩(JacksonRobert Scott飾)微笑,不曾想,這個(gè)善意的舉動(dòng)受到誤解,引發(fā)了幫派之間的對(duì)抗,并以驚人的結(jié)局收尾。
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
在肉品工廠擔(dān)任經(jīng)理的安東尼,與美麗的嬌妻生了三個(gè)聰明伶俐的孩子,一家五口住在鄰近海邊的獨(dú)棟大房,日子過(guò)得愜意又舒適,直到一次意外昏倒,才被醫(yī)生診斷出腎臟出了毛病,必須靠洗腎才能維生。 一向奉公守法的安東尼,深怕自己熬不住排隊(duì)等換腎的煎熬,決定偷偷向非法管道求援,在網(wǎng)上找到了一對(duì)愿意以腎臟交換大房子的無(wú)業(yè)情侶,正當(dāng)他下定決心要砸下重金來(lái)拯救自己生命之時(shí),他原本幸福美滿的生活,也隨著器官交易背后的層層危機(jī),漸漸脫序崩毀...