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外星博士
超能力者
姜棟元,高修,鄭恩彩夢鄉(xiāng)2019
芬恩·科爾,瑪格特·羅比,崔維斯·費米爾,凱瑞·康頓,達比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內(nèi)特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什最爽的一天
馬提亞斯·施維赫夫,弗洛里安·大衛(wèi)·菲茨,賴納·博克,拉斯·多普勒,安德亞斯·杜伯斯,杰克·希爾,亞歷山德拉·瑪麗亞·拉娜,弗萊德雷克·林克曼,羅伯特·尼基施,卡洛琳·拉普,羅比特·舒阿普,塔蒂婭·賽布特,瑪麗亞·沃斯平安夜,殺人夜
羅漢·坎貝爾,露比·莫迪恩,馬克·艾奇遜,沙龍·巴杰,大衛(wèi)·勞倫斯·布朗,埃里克·阿塔瓦爾,托米·雷梅爾,大衛(wèi)·湯姆林森,伊莎·薇洛特,Rick Skene,Tom Young,馬德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾倫,Logan Sawyer,Julien Neault-Lount,安德烈婭·格里寧興登堡遇難記
喬治·C·斯科特,安妮·班克羅夫特,威廉·阿瑟東同類精選
像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿棉花軟糖
柯賓·伯恩森,庫?!趥愃?Kai Cech,Max Malas誰在戰(zhàn)斗中閃耀
梅拉尼·羅蘭,皮埃爾-伊夫·卡迪納爾,安吉麗娜·沃雷斯,Sarah Pachoud,費利克斯·基賽勒,Juliette Gasquet,托馬斯·喬里亞,Ilinka Lony,Lucas Cenciai,Najim Zeghoudi,馬克桑斯·蒂阿爾,克萊爾·陳,安娜·盧瓦雷,比拉內(nèi)·巴,斯特凡納·瓦魯彭,Serpentine Teyssier,Benjamin Lepennetier,Ludivine Colle,Pascal Decolland,Arnaud Straebler靶場
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強巴才丹,劉佩琦,李奎,張慶慶,鞏小榕民國驚魂錄
郝普,陳凱欣,曹璐影視排行
我們的天空,我們的河
Mahmoud Abu Abbas,Myriam Abbas,達麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir...
LAST MAN-全盲搜查官- FAKE/TRUTH
福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二全盲的FBI特別搜查官皆實廣見(福山雅治 飾)被稱為“終結(jié)一切案件的最后王牌”。他自日本研修返美后,警視廳搜查一課的護道心太朗(大泉洋 飾)前往美國受訓,兩人在華盛頓與紐約繼續(xù)加深“無敵搭檔”的默契。半年后心太朗歸國,兩人再次分隔兩地?! ?025年,皆實因電視節(jié)目回到日本,卻遭遇電視臺被全副武裝的恐怖分子占領。他與主播播摩美咲(松本若菜 飾)、首相五之橋義實(吉田鋼太郎 飾)等人被劫持,對方威脅若拿不出10億美元贖金,將在東京引爆炸彈,引爆前所未有的危機。得知皆實被囚的心太朗火速趕往現(xiàn)場,卻發(fā)現(xiàn)負責接待皆實的佐久良(吉田羊 飾)已隱藏在內(nèi)部——一場跨國搭檔再度攜手的極限救援正式拉開序幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖Troubled teens attend a Wilderness Therapy program in Utah's desert, navigating personal challenges amidst the harsh Outback environment.