劇情縱覽
不被允許的背德肉體忘不了……被邀請(qǐng)的兒子憶起甜的一件東西…… 母子家庭和度過了，純子和亮一 那纖細(xì)的手腕上亮一培育了她了，豐滿的熟了的肉體“做個(gè)女人”忘了沒有……難過也言い募り走投無路的聲音的同時(shí)，純子的那個(gè)夜晚，那一手培育了亮一的肉棒上，多次盡頭了藥繼續(xù)沉睡的亮一上滴ら一邊讓……唯一一次的錯(cuò)誤，蕩け的表情…
在線暢看
臻選佳作
沼澤怪物1982
路易斯·喬丹,阿德里安娜·巴比歐,雷·懷斯
一名科學(xué)家在實(shí)驗(yàn)中不小心沾到了一種具有快速成長(zhǎng)特性的化學(xué)液體，不久，他就變成了半人半獸的水怪。這時(shí)，野心分子也想獲得這種具有快速成長(zhǎng)特性的化學(xué)液體的秘密公式，他們遂派員追殺持有科學(xué)家記事本的電子專家。后來他們發(fā)現(xiàn)了這名科學(xué)家的下落，終于在沼澤區(qū)這幫野心分子跟科學(xué)家變成的水怪展開了決斗。這是一部滑稽可笑的科幻動(dòng)作片，水怪的化妝和服裝都顯得愚笨而不能入信，對(duì)白亦平淡乏味，整部影片露出了低成本制作的粗糙感
大話修仙
孫槐志
一天欣欣來到一家古董店，連呼數(shù)聲有人么，不見有人回應(yīng)，偌大的古董店空無一人。由于好奇心的驅(qū)使欣欣不管三七二十一自?shī)市蕾p起來，不斷的被眼前的物品所震懾所陶醉，就在此時(shí)突然有一人出現(xiàn)，嚇了欣欣一跳。此人行徑古里古怪，不過欣欣也沒有放在心上，欣欣與其交談數(shù)據(jù)之后又繼續(xù)欣賞起古董來，然而奇怪的事情就在此時(shí)悄然發(fā)生了……
不明影像：絕對(duì)點(diǎn)擊禁止
樸寶英,周元,江星
在網(wǎng)絡(luò)監(jiān)查科兼職的大學(xué)生俊赫，為了和生氣的女友世熙（樸寶英 飾）重歸于好，轉(zhuǎn)而求助于女友的妹妹——高中女孩靜美。靜美是一個(gè)沉迷以來網(wǎng)絡(luò)的時(shí)尚女孩，她答應(yīng)幫助俊赫，條件是俊赫能幫她找一些網(wǎng)上封禁的稀奇古怪的視頻。萬般無奈，俊赫只得幫忙尋找，誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會(huì)改變，每次打開后也會(huì)呈現(xiàn)不同的內(nèi)容，甚至在看完之前都無法關(guān)閉。倒霉的靜美似乎恰恰碰上了那個(gè)傳說中的詛咒視頻，在此之后，她的周圍接連發(fā)生詭異事件?！ 【W(wǎng)絡(luò)時(shí)代帶來便利，也衍生了假象與罪惡，通往地獄的大門慢慢開啟……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster