艾曼妞4

★ 1.9 播放：75萬(wàn) 更新：2026-05-05

In暫無(wú)內(nèi)容order暫無(wú)內(nèi)容to暫無(wú)內(nèi)容escape暫無(wú)內(nèi)容from暫無(wú)內(nèi)容her暫無(wú)內(nèi)容former暫無(wú)內(nèi)容lover暫無(wú)內(nèi)容Marc,暫無(wú)內(nèi)容Sylvia暫無(wú)內(nèi)容goes暫無(wú)內(nèi)容to暫無(wú)內(nèi)容Brazil暫無(wú)內(nèi)容where暫無(wú)內(nèi)容Dr.暫無(wú)內(nèi)容Santamo暫無(wú)內(nèi)容transforms暫無(wú)內(nèi)容her暫無(wú)內(nèi)容into暫無(wú)內(nèi)容the暫無(wú)內(nèi)容beautiful暫無(wú)內(nèi)容Emmanuelle.暫無(wú)內(nèi)容With暫無(wú)內(nèi)容this暫無(wú)內(nèi)容new暫無(wú)內(nèi)容identity暫無(wú)內(nèi)容comes暫無(wú)內(nèi)容a暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容awakening暫無(wú)內(nèi)容which暫無(wú)內(nèi)容is暫無(wú)內(nèi)容complicated暫無(wú)內(nèi)容by暫無(wú)內(nèi)容her暫無(wú)內(nèi)容memories暫無(wú)內(nèi)容of暫無(wú)內(nèi)容Marc.暫無(wú)內(nèi)容As暫無(wú)內(nèi)容with暫無(wú)內(nèi)容other暫無(wú)內(nèi)容entries暫無(wú)內(nèi)容in暫無(wú)內(nèi)容this暫無(wú)內(nèi)容series,暫無(wú)內(nèi)容the暫無(wú)內(nèi)容plot暫無(wú)內(nèi)容twists暫無(wú)內(nèi)容provide暫無(wú)內(nèi)容ample暫無(wú)內(nèi)容opportunities暫無(wú)內(nèi)容to暫無(wú)內(nèi)容expose暫無(wú)內(nèi)容the暫無(wú)內(nèi)容characters.

在線(xiàn)播放

劇情簡(jiǎn)介

In暫無(wú)內(nèi)容order暫無(wú)內(nèi)容to暫無(wú)內(nèi)容escape暫無(wú)內(nèi)容from暫無(wú)內(nèi)容her暫無(wú)內(nèi)容former暫無(wú)內(nèi)容lover暫無(wú)內(nèi)容Marc,暫無(wú)內(nèi)容Sylvia暫無(wú)內(nèi)容goes暫無(wú)內(nèi)容to暫無(wú)內(nèi)容Brazil暫無(wú)內(nèi)容where暫無(wú)內(nèi)容Dr.暫無(wú)內(nèi)容Santamo暫無(wú)內(nèi)容transforms暫無(wú)內(nèi)容her暫無(wú)內(nèi)容into暫無(wú)內(nèi)容the暫無(wú)內(nèi)容beautiful暫無(wú)內(nèi)容Emmanuelle.暫無(wú)內(nèi)容With暫無(wú)內(nèi)容this暫無(wú)內(nèi)容new暫無(wú)內(nèi)容identity暫無(wú)內(nèi)容comes暫無(wú)內(nèi)容a暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容awakening暫無(wú)內(nèi)容which暫無(wú)內(nèi)容is暫無(wú)內(nèi)容complicated暫無(wú)內(nèi)容by暫無(wú)內(nèi)容her暫無(wú)內(nèi)容memories暫無(wú)內(nèi)容of暫無(wú)內(nèi)容Marc.暫無(wú)內(nèi)容As暫無(wú)內(nèi)容with暫無(wú)內(nèi)容other暫無(wú)內(nèi)容entries暫無(wú)內(nèi)容in暫無(wú)內(nèi)容this暫無(wú)內(nèi)容series,暫無(wú)內(nèi)容the暫無(wú)內(nèi)容plot暫無(wú)內(nèi)容twists暫無(wú)內(nèi)容provide暫無(wú)內(nèi)容ample暫無(wú)內(nèi)容opportunities暫無(wú)內(nèi)容to暫無(wú)內(nèi)容expose暫無(wú)內(nèi)容the暫無(wú)內(nèi)容characters.

導(dǎo)演精選

被時(shí)間遺忘的人

　　本片根據(jù)艾德加·賴(lài)斯·巴勒斯的小說(shuō)改編而成。講述的是第一次世界大戰(zhàn)期間，一艘德國(guó)潛艇在撞沉一艘英國(guó)人的船以后，救起了幸存者。但是這艘潛艇開(kāi)錯(cuò)了方向，將這些幸存者帶到了一片未知的土地上。那里，棲息著大量的恐龍和穴居人。他們能順利地重返家園嗎？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

復(fù)仇雙雄

故事圍繞墨西哥特種部隊(duì)精英卡洛斯（綽號(hào)“公牛”）展開(kāi)，他在一次任務(wù)中成功抓獲了犯罪集團(tuán)頭目，卻因此遭到報(bào)復(fù)，妻子在他面前被殘忍殺害，自己也淪為通緝犯。走投無(wú)路之際，他意外中了彩票頭獎(jiǎng)，一夜之間擁有了復(fù)仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手，將全部財(cái)富轉(zhuǎn)化為武器和情報(bào)，從被通緝的逃犯，變成了以暴制暴的“復(fù)仇獵人”，目標(biāo)是讓所有參與殺害他妻子的人，付出最慘痛的代價(jià)。