紅字2004
綺勛(韓石圭飾)是名出色的刑警,然而在私人生活卻沒有著到道德之外的選擇:他在妻子之外還有著一個熱辣的情人。妻子秀賢(嚴智媛飾)端莊優(yōu)雅、溫柔賢惠,酒吧歌手佳喜(李恩珠飾)充滿著誘惑力。她們撐起了他生活的另一面。一天他接到任務(wù)調(diào)查照相館主人兇殺案,死者妻子慶熙(成賢娥飾)成為最具嫌疑的人選,然而這個女人卻自有一股難言的魅力,他感到自己已經(jīng)沉醉其中,綺勛因為妻子原因,想和佳喜一刀兩斷而難斷。而佳喜將綺勛的愛當作唯一的信念,當綺勛提出分手時,她陷入了絕望痛苦,她什么都不要,只要他的心。背后的真相撲朔迷離,暴風雨
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卡羅琳·麥柯米克,喬爾·托貝克,里?!ね邆惗?/span>A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.
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神來電
尼古洛·格維尼阿什維利,尼卡·貢加澤年輕的貢嘎和他的表弟巴特在一個廢品場里意外發(fā)現(xiàn)了一個裝滿生銹十字架的手提箱。巴特靈機一動,決定將這些十字架改造成霓虹十字架,并逐戶向第比利斯的居民推銷。他們在城市郊區(qū)的漫游因此變成了一場尋找愛情與友情的冒險。
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經(jīng)開始變了,但喬納森·魯斯特教授對即將到來的學期仍然準備不足。本周末,他正在為考古系的野外工作課程尋找合適的地點。在同行學者和雇工的幫助下,該團隊在拂曉時分出發(fā)。這次旅行為喬納森提供了一個難得的機會,讓他親自動手,成功可能意味著出版,也可能意味著終身教職。當一名助教神秘失蹤時,探險隊很快就脫軌了。很快,這群人發(fā)現(xiàn)自己處于現(xiàn)實和來世的交匯處,陷入了令人難忘的瘋狂之中。
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斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.