在線播放
劇情簡介
一對夫妻把各自的日記鎖在抽屜里,但都清晰對方在偷看。沒關(guān)系,祂們以此為借口,隱秘的私人xing噯的大比拼。影片結(jié)尾處,有一個(gè)角色說道:;硪就是用出軌來體現(xiàn)硪的真誠。 rdquo;意思是,她通過跟別人做噯,來過癮自己的婚姻生活,因?yàn)樗煞蜃匀挥型蹈Q欲望。
同類好片
愛情抓馬
羅伯特·帕丁森,贊達(dá)亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾非法入侵
尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達(dá)什·米霍克,艾米麗·梅德,尼可·托托雷拉雨和閃電的氣息
麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特遇見世界
杉咲花,南琴奈,板垣李光人,蒼井優(yōu),澀川清彥奪寶生死戰(zhàn)
Grant Show,Vivian Wu,Steve Bacic劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes人氣佳作
老板和小可愛
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納愛的藝術(shù)
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納掏出你的手帕
熱拉爾·德帕迪約,卡洛?!诶?帕特里克·迪瓦爾,米歇爾·塞羅爾,埃萊奧諾雷·希爾特葉塞尼亞
杰奎琳·安德瑞,喬治·拉瓦特,艾爾瑪·洛扎諾,胡安·加利亞,奧斯卡·莫雷利,Pilar Sen,伊莎貝拉·科羅娜,Claudia Martell,艾麗西亞·羅德里格斯,奧古斯托·貝內(nèi)迪克,維克托·阿爾科塞爾,何塞·巴伐利亞,羅莎·弗曼,Maria Wagner,費(fèi)爾南多·索萊爾導(dǎo)演精選
國寶2025
本片改編自吉田為了采訪3年,穿著歌舞伎的黑衣進(jìn)入后臺(tái)的經(jīng)驗(yàn)而寫出的長篇小說,出生于任俠一門、投身于歌舞伎世界、將青春獻(xiàn)給演藝之路的喜久雄,賭上自己的生命去追求無盡的夢想的宏偉故事:舞臺(tái)是從戰(zhàn)后到高度經(jīng)濟(jì)成長期的日本。出生于任俠家族的喜久雄,遭遇了數(shù)奇的命運(yùn),被拽到歌舞伎演員的家中。不久后,在動(dòng)蕩的人生中,他作為歌舞伎演員的才能開花結(jié)果。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遇見惡魔
曾經(jīng)的約翰(盧克·威爾遜 Luke Wilson 飾)是一名風(fēng)光無限的商人,偌大的豪宅,漂亮的妻子,可愛的女兒,當(dāng)金融危機(jī)爆發(fā)之時(shí),約翰所擁有的這令人羨慕的一切都在轉(zhuǎn)瞬間成為了巨大的負(fù)擔(dān),他和妻子之間原本美滿的感情也產(chǎn)生了裂痕?! 〗?jīng)歷了糟糕的一天后,約翰拖著疲憊的身軀回到家,這時(shí),一個(gè)名叫里奇(塞繆爾·杰克遜 Samuel L. Jackson 飾)的陌生人攔住了約翰,希望得到他的幫助。讓約翰沒有想到的是,里奇竟然是一名殺手,可是,里奇卻并沒有殺死約翰,正相反,在莫名其妙之中,約翰和里奇一同踏上了一段充滿了鮮血和殺戮的恐怖旅程。隨著時(shí)間的推移,約翰漸漸開始懷疑,他和里奇之間的相遇究竟是偶然還是必然。