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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
警長索恩：貪睡鬼
大衛(wèi)·莫瑞瑟,艾丹·吉倫一起連環(huán)兇殺案吸引了警長索恩（大衛(wèi)·莫瑞瑟 David Morrissey 飾）的注意，這位窮兇極惡的兇手手中已經(jīng)有了三條人命，然而，第四名受害者卻僥幸逃過一死。警方和民眾都認(rèn)為這是兇手的百密一疏造就的結(jié)果。然而，可怕的是，沒過多久，索恩就發(fā)現(xiàn)，犯錯(cuò)的不是兇手，而恰恰是自己，因?yàn)楸M管保住了一命，但這位幸存者卻無法提供任何情報(bào)。 幾起在同一時(shí)間、使用同一手法在兩個(gè)不同地點(diǎn)作案的謀殺案讓警長索恩十分警覺，隨著時(shí)間的推移，迷霧漸漸撥開，他發(fā)現(xiàn)，自己所要面對的并非僅僅一名嗜血?dú)埍┑臍⑷四?，而是兩個(gè)在暗地里相互勾結(jié)、相互鼓勵(lì)的反社會分子。
抱得美人歸
亞歷克·鮑德溫,金·貝辛格在二次世界大戰(zhàn)后，即將結(jié)婚的花花公子開車到賭城作最后一次尋歡，不料邂逅了美麗的女歌手，并發(fā)現(xiàn)了她是賭城大亨巴格西的情婦。他該回到自己的規(guī)律生活中，還是繼續(xù)追求這段冒險(xiǎn)的愛情呢？名編劇家尼爾賽門由自己的愛情經(jīng)歷創(chuàng)作出本片，對男女之間的感情游戲有深刻的體會，所以劇情雖然簡單，趣味性倒不弱。亞歷克．鮑德溫和金．貝辛格因拍攝本片而牽上紅線，可見其演出投入。此外，金．貝辛格親自主唱片中歌曲，頗有幾分性感歌星的架勢。
四川好女人
何葦杭,趙若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.
惡魔的破壞 前篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,諏訪部順一,津田健次郎三年前的 8 月 31 日，突如其來的“侵略者”，—艘巨大的“母艦”降落至東京上空，世界似乎迎來了終結(jié)……在那之后，絕望融入了日常生活，巨大的圓盤飄浮在上空的世界持續(xù)到現(xiàn)在。小山門出、中川凰蘭兩個(gè)高中少女，在這個(gè)走向終結(jié)的世界中，揮灑著自己的青春時(shí)代。
互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風(fēng)吹淳,草笛光子本片改編自同名小說，講述了主人公·梓失去了無可替代的摯友而止步不前，她不斷給已故好友發(fā)送信息，由此開始，意想不到的邂逅接連發(fā)生，形成了一個(gè)巨大的圈子…