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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
贖命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陳奕迅,Lee Perkins少女凱特（萊斯利-安妮·哈芙 Leslie-Anne Huff 飾）擁有一種神奇的能力，隨便什么人，她只要看上一眼，便能知道他的死期為何時。一次偶然中，凱特遇見了名為杰森（Anthony Chaput 飾）的男子，凱特發(fā)現(xiàn)杰森擁有能夠在死后和現(xiàn)世交流的能力，并且，杰森的死期就在幾個小時之后。一直想要知道死后世界是什么模樣的凱特擺脫杰森在死后同她聯(lián)絡(luò)，杰森興然應(yīng)允?！ 」唬芸旖苌闼懒?，在臨死之時，一副詭異恐怖的畫面出現(xiàn)在了杰森的眼前。之后，凱特果然接到了杰森來自“陰間”的電話，根據(jù)杰森的指使，凱特需要前往香港，在那里，一位名叫達倫（陳奕迅 飾）的酒保正在等她。
禁忌凝視
皮婭·吉爾塔,克里斯托弗·約納爾,塔雷克·扎亞特,Kristoffer Sagmo Aalberg,Ismael Al-Khazaali,Ibrahim Amaev,Anna Bakke,Negusse Berhe,Selma Brattab?,Osama Dabagh,Benjamin Ebbesen,Ragnhild Gudbrandsen,Johannes Hageseter,凱瑟琳·索博格·約翰森,Téa Gr?nner Joner,Celine Knag,Nj?l Lambrechts,Kenn艾娃是一位受人歡迎的教師，她的丈夫是當?shù)氐氖虚L。盡管他背叛了她的信任，她仍然計劃支持他的競選活動，因此她開始在當?shù)氐囊粋€難民中心做志愿者。在這里，她與18歲的難民阿米爾親近起來，他的詩歌才華深深吸引了她。然而，他們越走越近，她對局勢的掌控就越少。這部關(guān)于禁忌之愛的戲劇《別叫我媽媽》讓主角們面臨道德考驗，同時挑釁性地探討了虛偽如何偽裝成慷慨。充分利用了自己作為選角導(dǎo)演的經(jīng)驗，尼娜·克納格從演員皮婭·蒂耶塔、克里斯托弗·約納和塔雷克·扎亞特那里得到了出色的表現(xiàn)。
驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al JeffryA skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.
平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亞諾是兩個生活拮據(jù)的五十多歲男人，他們秉持著“絕不錯過最后一杯酒”的人生哲學(xué)。在一次偶然的機會中，他們結(jié)識了朱利奧，一位性格內(nèi)向、對人生感到迷茫的建筑學(xué)學(xué)生。這場看似不經(jīng)意的邂逅，卻逐漸演變成了一場穿越威尼斯平原的混亂公路旅行?！ ≡诼猛局?，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰(zhàn)朱利奧對人生和愛情的原有計劃。這場旅程不僅重新定義了他們彼此的生活，也讓朱利奧開始重新思考自己的未來方向。
愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼一場車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個沒有母親的家庭。隨著調(diào)查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉(zhuǎn)折。