誠實(shí):好女孩

★ 5.5 播放:25萬 更新:2026-04-26
主演:陳詩雅 ?? ??? ?? 

老頭的兒子跟兒媳婦離婚了,但兒媳婦依然在家伺候老頭,還帶來了自己的妹妹,老頭老當(dāng)益壯,妹妹水性楊花,一見面就開始勾引老頭,老頭欲拒還迎,也將妹妹給上了,但老頭并不滿足,一直覬覦自己的兒媳婦已久,偶然間聽說兒媳婦缺錢花,于是有著不少家產(chǎn)的老頭開始用金錢來引誘兒媳婦為自己“服務(wù)”

在線播放

劇情簡介

老頭的兒子跟兒媳婦離婚了,但兒媳婦依然在家伺候老頭,還帶來了自己的妹妹,老頭老當(dāng)益壯,妹妹水性楊花,一見面就開始勾引老頭,老頭欲拒還迎,也將妹妹給上了,但老頭并不滿足,一直覬覦自己的兒媳婦已久,偶然間聽說兒媳婦缺錢花,于是有著不少家產(chǎn)的老頭開始用金錢來引誘兒媳婦為自己“服務(wù)”

同類好片

鬼府神工

勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德爾,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda Zampagli

一個(gè)星期三的下午

Anupam Kher,Naseeruddin Shah

我是桐島

每熊克哉,北香那,奧野瑛太,高橋惠子,原田喧太,影山祐子,山中聰,鄭龍進(jìn),嶺豪一,和田庵,伊藤佳範(fàn),宇乃徹,長村航希,???安藤瞳,咲耶,趙珉和,松本勝,秋庭賢二,佐藤壽保,ダーティ工藤,白川和子,下元史朗,甲本雅裕

皆為好事

盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus Vinicius

十二個(gè)想死的孩子

杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結(jié)菜,橋本環(huán)奈,吉川愛,萩原利久,渕野右登,坂東龍?zhí)?古川琴音,竹內(nèi)愛紗

家有仙妻2005

妮可·基德曼,威爾·法瑞爾,雪莉·麥克雷恩,邁克爾·凱恩,詹森·舒瓦茲曼,克里斯汀·肯諾恩斯,希瑟·伯恩斯,吉姆·特納,史蒂芬·科拜爾,大衛(wèi)·艾蘭·格里爾,邁克爾·巴達(dá)魯科,卡羅爾·謝利,史蒂夫·卡瑞爾,凱蒂·芬內(nèi)朗,詹姆斯·里普頓,柯南·奧布萊恩,艾米·塞德麗絲,理查德·坎德,艾德·麥克馬洪,凱特·沃什,尼克·拉奇

導(dǎo)演精選

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

月球

  未來世界,隨著科技的飛速進(jìn)步,地球的污染也越來越嚴(yán)重。為了遏制這種現(xiàn)狀,一家名為月能工業(yè)有限公司的企業(yè)應(yīng)運(yùn)而生。該公司致力于月球能源的開發(fā),通過采集氦-3來滿足地球?qū)δ茉吹男枨?。月能公司在月球設(shè)有基地,山姆·貝爾(山姆·洛克威爾 Sam Rockwell 飾)正是該基地 上唯一的工作人員。山姆是公司聘用的合同工,他已在月球孤零零地生活3年,陪伴他的只有智能機(jī)器人戈蒂(凱文·斯派西 Kevin Spacey 飾)??菰锓ξ兜纳盍钌侥窔w心似箭,在還有兩周就離開月球的時(shí)候,山姆偶然遭遇一起事故。醒來后的他發(fā)現(xiàn)戈蒂似乎對其有所隱瞞,公司高層也拒絕他的回程請求。山姆借機(jī)逃出基地,卻在事故發(fā)生地點(diǎn)發(fā)現(xiàn)另一個(gè)自己……  本片榮獲2009年愛丁堡國際電影節(jié)最佳英國影片獎、2009年西雅圖國際電影節(jié)最佳男主角獎。

捕蛇者說

霧山捕蛇人深陷苛政與蛇禍雙重絕境,異變的陰影籠罩村落,一場關(guān)乎救贖與守護(hù)的博弈悄然開啟。