播放通道
詳細(xì)簡介
熱門影視 大家都在看
攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚(yáng)·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin Bartashevi陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰AI 愛上你
平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛(wèi)·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘殯葬師
馬索·曼恩,愛德華·福隆,安吉利·贊巴拉娜,Luis Da Silva Jr,安東尼·邁克爾·弗雷德里克兇地
平采娜·樂維瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤納提帕.平帕拉達(dá)布,Pharanyu Rojanawuthitham,巴東·頌桑,坦瓦林·蘇卡皮西特,Chaiwat Thongsaeng,查理·瑞納同類推薦
分享鎮(zhèn)
達(dá)科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達(dá),O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾在阿什莉提出離婚后，凱里向好友朱莉和保羅尋求慰藉，卻發(fā)現(xiàn)這對表面幸福的夫妻實(shí)則奉行開放式婚姻。但當(dāng)凱里逾越界限時，所有人的感情生活都陷入了混亂漩渦。
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺灣電影，由張鵬翼導(dǎo)演。張玲，鄭少秋，王俠等人主演?！稉畚溟T》講述某朝皇帝在正月十五日比武大賽之前， 得知刑部大臣陸人敵欲乘機(jī)謀反， 乃飛鷹傳書其派駐在東， 南， 西， 北四郡的諸侯回朝護(hù)駕， 然四人均於回朝途中為刺客所暗殺， 南郡主之女孤獨(dú)冷雁於其父被刺後始得報， 火速趕回想為父報仇· 一日孤獨(dú)冷雁巧遇鬼紅娘， 才知兩人同出一個師門， 尤其孤獨(dú)冷雁學(xué)得高深之禪功， 身手快捷， 眼力極強(qiáng)， 卻可惜他·.....
弗蘭茨
伊丹·魏斯,彼得·庫爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚(yáng)·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達(dá)成了導(dǎo)演生涯的巔峰，她呈現(xiàn)了一部關(guān)于20世紀(jì)捷克標(biāo)志性作家弗朗茨·卡夫卡的傳記片。影片以萬花筒般的拼貼手法構(gòu)建而成，追隨卡夫卡留下的足跡——從19世紀(jì)的布拉格出發(fā)，直至他在維也納辭世，時間跨度涵蓋第一次世界大戰(zhàn)及之后?！陡ダ蚀摹芬黄瑢橛^眾提供一個獨(dú)特的視角，一窺這位文學(xué)巨匠背后的人生軌跡。
巨洪
金多美,樸海秀,權(quán)恩成,金圭娜,金炳南,李東燦,金秀京,全俞娜,金敏貴,鄭敏俊,全慧珍,樸炳垠,李學(xué)周科幻災(zāi)難大片《巨洪》講述了在地球被大洪水淹沒前的最后一天，對人類抱有最后一絲希望的人們在淹水的公寓樓里掙扎求生的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.