世外情緣

1.0 播放：91萬 更新：2026-05-05

Daniel與Summer往太平洋一小島渡蜜月，但不幸遇上匪徒，Daniel被打至重傷，更被拋下海里，幸Summer被村民救回。Daniel票至一荒島，被島上一外籍少女救回并細(xì)心照，Daniel醒來后，卻失憶了，Daniel和那少女Winter日久生情并決定舉行婚禮，與此同時(shí)，Summer尋夫而至，知道丈夫患失憶，便決定留下，但眼見丈夫與人分享，心里不是味道，便打算離去，Winter也發(fā)現(xiàn)了他... 　　

播放通道

詳細(xì)簡介

Daniel與Summer往太平洋一小島渡蜜月，但不幸遇上匪徒，Daniel被打至重傷，更被拋下海里，幸Summer被村民救回。Daniel票至一荒島，被島上一外籍少女救回并細(xì)心照，Daniel醒來后，卻失憶了，Daniel和那少女Winter日久生情并決定舉行婚禮，與此同時(shí)，Summer尋夫而至，知道丈夫患失憶，便決定留下，但眼見丈夫與人分享，心里不是味道，便打算離去，Winter也發(fā)現(xiàn)了他... 　　

同類推薦

最爽的一天

馬提亞斯·施維赫夫,弗洛里安·大衛(wèi)·菲茨,賴納·博克,拉斯·多普勒,安德亞斯·杜伯斯,杰克·希爾,亞歷山德拉·瑪麗亞·拉娜,弗萊德雷克·林克曼,羅伯特·尼基施,卡洛琳·拉普,羅比特·舒阿普,塔蒂婭·賽布特,瑪麗亞·沃斯

　　名不見經(jīng)傳的鋼琴家安迪（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和從未干過什么正經(jīng)事整天游手好閑的本諾（弗洛里安·大衛(wèi)·菲茨 Florian David Fitz 飾），這兩個(gè)個(gè)性迥異似乎永遠(yuǎn)都不會(huì)有交集的人，相識于病房之中，兩人都患上了無法治愈的絕癥，時(shí)日無多。　　在本諾的慫恿之下，安迪決定和他一起逃出病房，來一趟充滿了陽光和激情的非洲之旅，他們要盡情享受轟轟烈烈毫無顧忌的人生，才能甘心接收死亡的終結(jié)。就這樣，兩個(gè)“亡命之徒”踏上了他們的旅途，一路上，瘋狂的兩人制造了數(shù)不清的麻煩和笑料，而他們糟糕的健康狀況，亦令兩人屢屢同死神擦肩而過。最終，當(dāng)他們抵達(dá)了目的地時(shí)，又會(huì)有怎樣的一番景象在等待著兩人呢？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

黑暗之下

丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德

　　After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.

萬圣節(jié)傳說

波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達(dá)納·古爾德

　　1）名叫蒂米的男童怨靈會(huì)在萬圣節(jié)當(dāng)晚四處尋找糖果，甚至?xí)榇送陂_他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結(jié)果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時(shí)有個(gè)打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災(zāi)難，當(dāng)然他們正為自己的所作所為付出代價(jià)；4）二男一女不良少年團(tuán)伙在萬圣節(jié)之夜四處欺負(fù)他人，這時(shí)打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個(gè)不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個(gè)重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個(gè)劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個(gè)南瓜頭，結(jié)果南瓜頭突然活了過來，大鬧街頭。

明明不是我！

阿部寬

影片改編自淺倉秋成創(chuàng)作的同名小說，講述了一個(gè)在社交媒體上，毫無根據(jù)的信息被視為“真相”，并逐漸演變成重大事件的現(xiàn)代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業(yè)部長山縣泰介，有一天突然在社交媒體上被指認(rèn)為“殺人事件的兇手”，個(gè)人信息被曝光。雖然完全無辜，卻被社會(huì)追捕、陷入“網(wǎng)絡(luò)風(fēng)暴”之中，不得不逃亡。