漆黑的海
年輕的警督盧卡莫恰Luca Moccia（路易吉洛卡肖飾）受命調(diào)查一樁女大學(xué)生被殺案，發(fā)現(xiàn)被害者在赤裸裸的交易后因極端私人性樂趣的做法被殺害的案情。調(diào)查中，盧卡通過浪蕩子俱樂部的托衣舞女瓦倫蒂娜Valentina（安德烈婭歐什瓦爾特飾）接觸到了女性生活的黑暗面。這些過著雙重生活的俱樂部女孩讓盧卡找回了他少年時代幻想的夢，他逐漸開始喜歡加入到俱樂部中，體驗步入婦女黑暗生活的旅程。不久，癡迷使年輕的警務(wù)人員的思維和身體被吸入到這個黑色的漩渦中，并且涉及到他那個房地產(chǎn)經(jīng)紀(jì)人身份的法國神秘女友維羅妮卡Veronica（安娜 穆格拉利飾）
即刻觀影
劇情賞析
編輯推薦
困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達(dá)爾克,羅曼·澤勒,雷·伯內(nèi)特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維影片以重復(fù)加碎片式的感官敘事手法，講述了年邁且身患疾病的安東尼（安東尼·霍普金斯 Anthony Hopkins 飾）正在面臨一項艱難的人生選擇——是搬到養(yǎng)老院還是接受女兒尋找的新護(hù)工。在這個過程中，安東尼發(fā)現(xiàn)自己仿佛進(jìn)入了一場奇怪的時空之旅，錯亂的記憶和時間線交織出一段段匪夷所思的故事，而一個個陌生又熟悉的人也讓他陷入迷茫。影片根據(jù)法國小說家兼劇作家佛羅萊恩·澤勒的舞臺劇《父親》改編。
千億之吻
段天恩,黎春進(jìn),麻蘭都,秋莊,范進(jìn)祿...
致命玩笑3
克麗斯滕·齊恩,本·霍靈斯沃斯,迪恩·阿姆斯特朗,肯·科齊格 Ken Kirzinger,Jesse Hutch,薩拉米切燥熱枯燥的長途旅行，怪物卡車司機“銹釘”（肯·科齊格 Ken Kirzinger 飾）的血腥旅程仍未結(jié)束，17號公路上布滿殘肢斷體，娛樂著他的邪惡趣味。某個平凡的路邊小餐館，奧斯?。℅ianpaolo Venuta 飾）、米克（Ben Hollingsworth 飾）、愛麗莎（Leela Savasta 飾）、鮑比（Jake Manley 飾）和茱爾（Kirsten Prout 飾）等五個準(zhǔn)備參加公路汽車?yán)惖那嗄昴信谟懻撔熊嚶肪€，他們向鄰桌打聽17號公路存在與否，卻得知了“屠殺小巷”的傳言和警告?！ o所畏懼的年輕人當(dāng)然不信這個邪，他們快意上路，并遭遇“銹釘”的卡車。年輕人仗著汽車性能的優(yōu)勢，恣意戲?！颁P釘”，但卻惹到了一個絕不能隨便招惹的惡魔……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內(nèi)敬子,佐藤緋美,白本彩奈改編自新海誠創(chuàng)作的同名動畫電影，講述了一段跨越時間與距離的青澀愛情與成長故事。
女孩白日夢
鄭筠熹,尤柏耘,鄭景文,古峰畢業(yè)在即，陳莉莉這位志向成為小說家的學(xué)生正努力克服拖延，面對現(xiàn)實與夢想的交錯，她能否完成自己的小說，勇敢邁向新生活？