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鬼馬智多星
林子祥,麥嘉,泰迪·羅賓,姚煒,曹達(dá)華,岑建勛,曾志偉30年代的香港，社局動(dòng)蕩，黑幫林立。香港大亨胡老頭這日找到私家偵探哎吆（林子祥 飾），要求其調(diào)查胡太太，因?yàn)樗X得胡太太這些天表現(xiàn)奇怪。哎吆調(diào)查后發(fā)現(xiàn)，原來是壞蛋神父卡邦派（麥嘉 飾）人勾搭上了胡太，意欲偷取胡老頭價(jià)值連城的股票。他們這一計(jì)劃遭哎吆撞破后，四處追殺哎吆?！ “ミ和雒H，又發(fā)現(xiàn)了胡老頭其實(shí)并非什么香港大亨，只是一名老千，他來香港的目的就是要騙卡邦等流氓的錢。胡老頭邀請哎吆入伙，一起設(shè)局騙卡邦。和好友探長羅賓（泰迪?羅賓 飾）商量后，哎吆決定來個(gè)將計(jì)就計(jì)。
三天
樸新陽,李民基,李來樸信陽飾演父親車勝道（音譯），李民基（李暋起）飾演潘神父（姓為音譯）?！ ≡撈v述在為女兒舉辦葬禮的三天時(shí)間中，與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭的超自然電影。
逆時(shí)追兇
麥迪遜·貝利,邁克爾·山克斯,格里芬·格魯克,安東尼婭·金特里,莎莫·H·豪威爾,瑞秋·克勞福德,梅根·貝斯特,亞當(dāng)·哈蒂格,塞繆爾·布勞恩,辛妮·比斯頓,Kataem O'Connor,格溫多琳·柯林斯,喬丹·佩特爾,Dutchess Cayetano,Chess Tomlinson,Bj·韋羅,Elena Howard-Scott,泰瑞·威瑟斯龐,科琳·弗蘭,Samantha Hutchings2024年，一名少女意外穿越回 2003年，而她的姐姐將在幾天后被一名蒙面殺手殺害。她能否在不毀掉未來的情況下改變過去?
愛爾蘭式告別
米歇爾·費(fèi)爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.
賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比賞金獵豬，一只被人類雇傭去抓捕那些逃亡動(dòng)物的豬。在追捕一只從一個(gè)邪惡馬戲團(tuán)逃亡的大象過程中，但卻陷入了一場兩只動(dòng)物的全球冒險(xiǎn)之中，這也在慢慢改變他的一些觀念。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.